A Quote by Al Roker

In the pregnancy process I have come to realize how much of the burden is on the female partner. She's got a construction zone going on in her belly. — © Al Roker
In the pregnancy process I have come to realize how much of the burden is on the female partner. She's got a construction zone going on in her belly.
At the door , she made him promise to go without goodbyes .She closed the door on him . Laila leaned her back against it , shaking against his pounding fists , one arm gripping her belly and a hand across her mouth , as he spoke throughout the door and promised that he would come back for her . She stood there until he tired , until he gave up , and then she listened to his uneven footsteps until they faded , until all was quiet , save for the gunfire cracking in the hills and her own heart thudding in her belly , her eyes , her bones .
People usually asked her if she had a belly button. Of course she had a belly button. She couldn't explain how. She didn't really want to know.
I am about courting a girl I have had but little acquaintance with. How shall I come to a knowledge of her faults, and whether she has the virtues I imagine she has? Answer. Commend her among her female acquaintances.
She didn't know how much she'd been hoping that he still loved her, until she felt how much it hurt to realize he didn't.
I can say this: You haven't lived until you've had to wear a triplet pregnancy belly. You would be amazed at what a girl can learn based on the different months of pregnancy to make her character more interesting.
There's so much about Dolly Parton that every female artist should look to, whether it's reading her quotes or reading her interviews or going to one of her live shows. She's been such an amazing example to every female songwriter out there.
I understand what it's like to come with your family, and to uproot yourself and come to another culture. You need a lot of support. People say, 'She's got her daughter; she's got her husband.' Yeah, but she hasn't got anyone else.
When we want to give expression to a dramatic situation in our lives, we tend to use metaphors of heaviness. We say that something has become a great burden to us. We either bear the burden or fail and go down with it, we struggle with it, win or lose. And Sabina - what had come over her? Nothing. She had left a man because she felt like leaving him. Had he persecuted her? Had he tried to take revenge on her? No. Her drama was a drama not of heaviness but of lightness. What fell to her lot was not the burden, but the unbearable lightness of being.
I realize that every time we discuss a job placement and look at a list of both male and female candidates, there's a question that comes up pretty much all the time for the woman: 'Will she know how to assert herself?' It's not meant to be malicious. It's more, 'Will she manage to take leadership of the team you want to entrust to her?'
Crime is a very hard genre to feminise. If you have a female protagonist she is going to be looking after her mum when she gets older; she is going to be worried about her brother and sister; she will be making a living while bringing up kids.
In the short summer night she learned so much. She would have thought a woman would have died of shame... She felt, now, she had come to the real bedrock of her nature, and was essentially shameless. She was her sensual self, naked an unashamed. She felt a triumph, almost a vainglory. So! That was how it was! That was life! That was how onself really was! There was nothing left to disguise or be ashamed of. She shared her ultimate nakedness with a man, another being.
It has nothing to do with [Renee] being a female or not, it has to do with her being the right person for the job. She’s got a great voice that cuts through the clutter. She is very knowledgeable about WWE, about its history, about the talent and she is really willing to step up and do her homework. I think you’re going to see her grow. You’re going to see her jump on this challenge to become a regular fixture and a regular voice and, hopefully, maybe one day the voice of WWE.
She pulled away and looked at him. 'I kissed you and you left.' When Kat heard the pounding, she thought it was the beating of her heart. It was too loud, she thought. Hale was going to hear it; he was going to see it; and he was going to know how much power he had to hurt her.
One of the things that has to be faced is the process of waiting to change the system, how much we have got to do to find out who we are, where we have come from and where we are going.
The more I get to do this character, the more I realize that she's not just annoying. It's that her strength is not interacting with people socially. She just doesn't have time because she has so much going on in her brain.
He couldn't say it. He couldn't tell her how much she had come to mean to him. She could destroy him with her rejection. If she had feigned her feelings for him - if he'd bought into her lies and her quest for freedom... He wasn't sure what he would do. He could hurt her.
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