Will you not covet such power as this, and seek such throne as this, and be no more housewives, but queens? There is no putting by that crown; queens you must always be; queens to your lovers; queens to your husbands and sons; queens of higher mystery to the world beyond. . . . But alas! you are too often idle and careless queens, grasping at majesty in the least things, while you abdicate it in the greatest.
Queens you must always be: queens to your lovers; queens to your husbands and your sons, queens of higher mystery to the world beyond. . . . But alas, you are too often idle and careless queens, grasping at majesty in the least things, while you abdicate it in the greatest.
You know, I do speak the Queens English. It's just the wrong Queens that's all. It's over the 59th Street Bridge. It's not over the Atlantic Ocean.
I love walking down Beale Street, which is home to countless cafes, restaurants and bars. Every bar has a live band, and as you walk along the street in the evening you can hear raw blues and rock n' roll spilling out of them.
In the movie 'Wall Street' I play Gordon Gekko, a greedy corporate executive who cheated to profit while innocent investors lost their savings. The movie was fiction, but the problem is real.
'Black cinema' I don't even know what that means. It's just cinema. When Paul Thomas Anderson makes a movie, we don't just say it's 'white cinema.'
People who would go to an arthouse cinema and watch a Swedish movie and read subtitles... it's a small percentage.
What's happening to movie critics is no different from what has been meted out to book, dance, theater, and fine-arts reviewers and reporters in the cultural deforestation that has driven refugees into the diffuse clatter of the Internet and Twitter, where some adapt and thrive - such as Roger Ebert - while others disappear without a twinkle.
I think anyone who knows me at all knows that I have been a movie addict all my life. I grew up in a city obsessed by cinema and where there are cinemas on every street corner.
I used to read voraciously while in school and cinema was always a fascination. Law was the safe backup plan.
For people to understand, you can't speak 'cinema.' Cinema doesn't have alphabets, so you have to go to the local language. Even in England, if they make a movie in London they have to make it in the Cockney accent, they can't make a film with the English spoken in the BBC. So cinema has to be realistic to the area that it is set in.
Culture survives in smaller spaces - not in the history books that erect monuments to the nation's grand history but in cafes and cinema houses, village squares, and half-forgotten libraries.
Because I was a kid from north of England, the only films I had access to was not alternative cinema, which in those days would be foreign cinema; I would be looking at all the Hollywood movies that arrived at my High Street.
I come from a mixed family, where my mother is art house cinema and my father is B-movie genre cinema. They're estranged, and I've been trying to bring them together for all of my career to one degree or another.
My father used to say that you could only access culture before cinema by learning to read and write, but that once cinema was invented, knowledge was available to anybody.
I love New York, it's always been my home. It has everything - music, fashion, entertainment, impressive buildings, huge parks, street cafes. And it's very international, with people from all over the world.