A Quote by Al Yankovic

I've done a movie and a TV series, and someday I'd like to do a successful movie and a successful TV series. That would be nice. — © Al Yankovic
I've done a movie and a TV series, and someday I'd like to do a successful movie and a successful TV series. That would be nice.
One of the great things about a TV series is that it's different to a movie - in a movie you obviously know the beginning, the middle and the end of what you're going to do. With a TV series it's unfolding, and you're discovering with every episode.
I've thought that 'Soulmate' in the 'Night World' series would make a really nice TV-movie or just a movie.
If you find a TV series that you like, you like the tone of the TV series or the movie.
I liked Lost in Space,” Stefan said. “The movie or the TV series?” “The movie? Right. I had forgotten about the movie,” he said soberly. “It was better that way.
When answering questions over the years about film and TV adaptations of my books, I have always maintained that no movie or TV series could ever change or damage my work.
I wanted to do Buddy Faro as a small budget movie. They said no. So I wanted to do it as a series of recurring TV movies, and they said no. So I agreed to do it as a series.
TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.
I think the biggest issue for legacy media - both TV and film - is that it just costs too much money to develop a TV series or movie. And most of them don't work. Then the one that works has to pay for the rest.
After I left 'Laverne & Shirley,' I got a ton of offers to play the goofy guy next door, and there were a couple of series that I was offered that turned out to be successful series, but it was too close to what I'd done on my series, and I was really glad I didn't take it.
Well, TV series tie you up. You can't do films while you're doing a TV series.
Catterick' was originally a movie. That was what we intended for it and we had the money for it and everything. But we couldn't be bothered - I know that sounds terrible, but it's the truth. At a later stage we went back, split it up and made it into the TV series. But, yeah that was supposed to be a movie and we just didn't bother.
My favorite commercial I did was my Verizon campaign, which I filmed a series of three commercials. My favorite movie I have done was 'House Under Siege' because it was my very first movie at 5 years old. My favorite TV show I have filmed was 'The Night Shift,' which is one of my favorite shows.
I want to balance my projects. Ideally, I'd like to do at least one indie film, a mainstream movie, and a TV series in a year - the best of both worlds.
I don't want to do a TV series. It's no fun working from dawn to sunset every day. An occasional movie would be fine, and then I'll see what might develop on the political front.
The difference in working on a TV series and a movie comes down to one thing for me, and that is the travel. With 'The Bold and the Beautiful,' we are in one remote location, but with a movie, you get to travel, explore, and experience different things every day. But I've really enjoyed doing both.
I've kind of gone from TV series to TV series or project to project, and I've wanted to get back in a rehearsal room. I feel like there's that exploration process, in a way, that you get in phases on jobs but I do wish I had that time [at school].
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