A Quote by Al Yankovic

It's hard to say, I picked one of my favorite articles for the MAD vault. Which is one of the features of the Magazine so they don't have to actually pay artists or writers to come up with new stuff.
I was co-editor of the magazine called The Jazz Review, which was a pioneering magazine because it was the only magazine, then or now, in which all the articles were written by musicians, by jazz men. They had been laboring for years under the stereotype that they weren't very articulate except when they picked up their horn.
Twitter is the new rock magazine of the modern age. When I was a kid, we had magazines and journalists and interviews and articles and pinups and posters to follow our favourite artists. Nowadays? Twitter is actually the new rock magazine.
It is the psychic depression of decadence which has come to this place and time. It is what happens to people who ignore their artists and deny their children. It is a terminal case of involutional melancholia which comes from within and cannot be cured by T.V. or psychotherapy or anything but a creative life, which is hard to come by in a country where it doesn't pay to do anything for yourself.
There are artists that actually don't like going into the studio. They get mad when people say they've got a session. I'm just the opposite. I actually enjoy it.
When we were done and not picked up to series yet, they wanted us to read lots of writers. I was like, "No." Then we finally were picked up. It is hard not to start thinking of story lines. It is like doodling.
Not only was he not mad, but he was a musician, and my favorite men had always been musicians or writers or anything that involved the creative process and behaving like tortured artists. ... I found financial insecurity a great aphrodisiac.
I met Robert Crumb in 1962; he lived in Cleveland for a while. I took a look at his stuff. Crumb was doing stuff beyond what other writers and artists were doing. It was a step beyond Mad.
I stopped drinking and realised New York still has a lot of charm, but it has become so bourgeois and affluent - and I can't really complain because I'm sort of bourgeois and affluent myself, but I like living in a place where artists and musicians and writers can actually pay the rent.
It's not very often that you get to come up with ideas and bring your take on the character and then actually have writers, producers, and directors pay attention to it.
Magazine articles are the new books.
My father and grandfather were stockbrokers, and they would actually take stock certificates from a vault, give it to a runner, and send it to another vault. Then somebody said, "Let's digitize it and have one vault." Now the DTCC clears and settles almost everything, and the cost of doing a trade is a tenth of what it was before.
"Mad" magazine is like one of my few formative experiences, absolutely. "Mad" magazine teaches a whole generation of people to be irreverent toward power.
The people who were in college in the '50s were my first real audience, and their kids, the people who found my records in the cabinet during their 'Mad 'magazine years picked me up also.
While I was in school, a local magazine picked the 10 best students, and they picked me and profiled me in the magazine.
It's hard to say a favorite song of my father's. I listen to all his stuff; a lot of the old stuff before the '70s.
It's hard to say a favorite song of my father's. I listen to all his stuff - a lot of the old stuff before the '70s.
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