A Quote by Al Yankovic
I have very mixed feelings about it. On one hand, I’m concerned that the rampant downloading of my copyright-protected material over the Internet is severely eating into my album sales and having a decidedly adverse effect on my career. On the other hand, I can get all the Metallica songs I want for FREE! WOW!
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On the other hand, and let's face it, there's always another hand, unless you're a Saudi Arabian shoplifter of course, hurt feelings can be quite traumatic. I've heard that it can take seconds, sometimes even minutes, to get over it.
Will we shoot virtually at each other over the Internet? Probably not. On the other hand, there may be wars fought about the Internet.
I mean, my music career and my acting career - if I want to do them to the extent that I eventually do want to get to, it's going to be a bit of a balancing act. But I'm hoping they'll just go hand in hand.
When you got a guy hanging over the cliff holding on with one hand, you don't want him to get his other hand up there, you want to go ahead and stomp on it
I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood. That the speaking profits me, beyond any other effect....what I most regretted were my silences. Of what had I ever been afraid? ...Death on the other hand, is the final silence...my silences had not protected me. Your silences will not protect you.
You go through different emotions when you're in captivity. On the one hand you say, my career is over. On the other hand, you say, my career's just started. See with these weird extreme ideas of where you are based on this capture.
On the one hand, there is no reason that a black person needs to live a portion of his or her life being concerned about the people of color around him. On the other hand, if you don't you're crazy.
One of the paradoxes that makes the internet such a suggestive place is that, on the one hand, we perceive it as perpetually in motion and changing, and, on the other hand, it has this god-like immortality to it: It seems like it won't die and is not subject to decay, and that everything can be unwound, unlike present-tense experience, where you can't archive the present moment, you can't go back and read it over again. That's the fundamental hallmark of the internet.
I guess it was this over-riding feeling I wanted people to get from the album - a kind of positivity. On the one hand it's quite a sad record, but I wanted the songs in essence to be about pulling yourself out of a difficult time. So I thought that the idea of day after a really long, difficult night, would be pretty appropriate... I think the album's about contrasts too - contrasts of emotion - so I thought the comparison was appropriate.
Corporations are legal fictions created by the State to shield executives from liability… It’s like if I had a little hand-puppet, and I went to rob a bank, and the hand-puppet held the little gun and told people to hand over all the money, and then the hand-puppet grabbed the money and ran out, and then I got caught and I handed the hand-puppet over the police and then the police tried the hand-puppet, put the hand-puppet in jail, and I get to keep all the money.
I get sick when I think about someone going to iTunes and downloading two songs off our album. It's not meant to be listened to that way.
This hand is not very active always, because it was in this hand that I carried my books. My carrying hand was always my strongest. Now I think my other hand has developed more muscles from signing all those autographs.
Art creates an incomparable and unique effect, and, having done so, passes on to other things. Nature, upon the other hand, forgetting that that imitation can be made the sincerest form of insult, keeps on repeating this effect until we all become absolutely wearied of it.
There's a definite connection in terms of objects at hand - dealing with objects or material at hand. Pop art was very much enamored with popular imagery, and popular imagery was of course available and at hand. And land art was also using what was at hand.
I've walked with very famous people down red carpets over to the crowd of thousands of people, and you'll reach out to shake their hand and they've got a camera in their hand. And they don't even get their hand out, because they're recording the whole time.
We can talk about the value of sportsmanship on one hand, and on the other hand, the leading shots, highlights ... you see every night are the outrageous and unsportsmanlike, so I think there is a double standard here. On the one hand, we complain about it, on the other hand it's the first thing you see every night.
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