A Quote by Alafair Burke

There are writers out there who say they're writing a second series, and then you pick it up and it feels exactly the same, only the lead character is blonde instead of brunette.
When you're writing, you're putting thought into what you want to express, and then you come up with it - it comes to you. When you're improvising, it's the same thing. You're writing. You just say it out loud right then, instead of saying, 'You think this might work?'
Whenever someone says something to me like 'Oh, another blonde at ESPN,' I would like to crunch the numbers. First, I think we have more brunettes than blondes. And second, there are only three normal hair colors. You're either a redhead, brunette, or blonde. It's really not that complicated.
One time, many, many years ago, I had the opportunity to dye my hair brunette for a film. And the day I walked out of the hotel where I had it done, I walked out onto the street and realized people looked me in the eye and greeted me good morning. I'd never had that experience before! And I began to notice that a brunette is treated as an affable human being. Later, when I dyed my hair for Lois Riley blonde, and then Alice Ward blonde, people come right up to you, they touch you on the arm, they ask you how you're doing. Men and women both! Blondes have more fun.
I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.
I think that fiction writers can write about anyone. If you are writing a character, and the only thing they are to you is their otherness, then you haven't written a character.
When I'm a brunette, it's four times harder to hail a taxi. Then I go blonde again, and suddenly there are taxis everywhere.
I would say get to know somebody who isn't exactly like you and doesn't come from the same background as you, educate yourself and then just keep showing up. Finding ways to show up for people and your voice will come out of that relationship and out of your pursuit to seeing people who aren't exactly like you.
I felt different born into a family with two sisters who are blonde and blue-eyed, with me being the only brunette.
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
As a brunette, I had previously been this serious actress. Then I became a blonde and got to play a completely different, comic role.
I did not find that writing a diary with a lead male character differed in any essential way from writing one with a female character. They all had the same challenges in terms of attempting to establish an identity, coping with loneliness, friendships, relationships.
When I first met my agent, I said, "If something comes up and it fits my age range and personality, I would like you to send me up for it, even if it specifies blonde or brunette."
When I first met my agent, I said, If something comes up and it fits my age range and personality, I would like you to send me up for it, even if it specifies blonde or brunette.
Try as I might, Agatha Christie is unique. The actual writing style can't be exactly the same, so instead of trying to replicate it exactly, the way I got around it was by inventing a new narrator.
The brunette phase just came about because I was fed up with this Blonde Angel Image. The rebel in me demanded a new color.
The brunette phase just came about because I was fed up with this 'Blonde Angel Image'. The rebel in me demanded a new color.
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