A Quote by Alain de Botton
It's almost a blessing when we meet people who naturally want to do the sort of things that are in high demand in society. What a gift to do that, as opposed to other people who would say, 'I want to be a novelist but actually I have to be an accountant.'
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What we always want to say [in X-men] is, "It's OK to be yourself, and actually it's a gift to be yourself. Whatever it is that you have, that may be your gift." I think that's what we always want to say, and spread it out, so have tolerance for other people who are different also.
When you meet your idols, I'm not one of those people - like if I saw Prince on the street, I wouldn't say anything. Because I'd want him to meet me. You want to meet people on the right terms or if there's a reason for you to meet.
I love it when people say things to me in public and want to meet me, because I want to meet them! Early on, my manager told me, 'If you want to sell 500,000 records, then go out there and meet 500,000 people.'
For me, you go to university to meet lots of different people from different backgrounds. I think that's one of the most important things you get there. And you also get some sense of direction regarding what you want to do when you leave. I sort of know what I want to do in my life - I want to act and ultimately I'd like to write. And in terms of meeting people from different backgrounds, that's what you get on a film set. So the two most valuable things that university would have given me I've sort of achieved by being on a film set.
I want to be independent. To meet interesting people. ... I just mean new people with clever things to say. Things I've never heard before. I want to be free. Open to whatever adventure comes along and sweeps me off my feet.
There's no such thing as ageing gracefully. I don't meet people who want to get Alzheimer's disease, or who want to get cancer or arthritis or any of the other things that afflict the elderly. Ageing is bad for you, and we better just actually accept that.
I was that sort of obnoxious girl, I remember being 10 at careers things where people were talking about becoming secretaries and I said I don't want to be a secretary, I want to have a secretary, and people would sort of look at me slightly perplexed.
Theres no such thing as ageing gracefully. I dont meet people who want to get Alzheimers disease, or who want to get cancer or arthritis or any of the other things that afflict the elderly. Ageing is bad for you, and we better just actually accept that.
Most people are nostalgic in a way that they're fond of the past, but they still are happy that they are where they are now. You know, when you say, 'Oh, high school was this or that,' you don't want to go back. No matter how much you loved high school, you don't want to actually be back in high school. I certainly wouldn't.
People don't want other people to get high, because if you get high, you might see the falsity of the fabric of the society we live in.
Future's not everybody. The people who are taking my style are like my babies. I've got a tribe of kids that want to be like me... But I understand why people want to imitate the things I do. They're dope. It comes naturally to me. My fans can expect greatness. If I wasn't me, I would want to be me.
This is the way I think about politics: We want two diametrically opposed things from a politician. On one hand we want them to be bastions of moral integrity, perfect people, saints. And on the other hand, we want them to be effective leaders.
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
And when I'd be reporting in Israel, Palestinians would say, the Jews they're not like us, and the Jews would say the same things about the Palestinians, they don't want what we want. And I never bought it as a reporter and I don't buy it as a novelist. I think, you know, the sound of somebody crying for their lost child sounds the same.
What I was actually trying to do in my early movies was show how people can meet other people and what they can do and what they can say to each other. That was the whole idea: two people getting acquainted.
It hurts to see that everything on television is based on pillaring people. Nobody's sort of given the opportunity to be nice anymore. I think that is somewhat reflective of tragically the society that we live in today where we want to know people off their pedestal or we want to hurt, we want to harm instead of boosting and following by example. It's always about the crud of society, the black sheep of society that producers seem to think the public wants rather than my old theory of the cream rising to the top.
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