A Quote by Alain de Botton
A city like London is sociable in a sense that there are people gathering in bars and restaurants, concerts and lectures. Yet you can partake of all these experiences and never say hello to anyone new. And one of the things that all religions do is take groups of strangers into a space and say it is OK to talk to each other.
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I go down the street, I say hello to everybody, a stranger or otherwise. I know that they do not know me, but I like to say hello and I think they appreciate it. I notice their faces light up with a smile and I believe that if all the people in our great city...would do that, the whole world would begin to say it is the "Friendly City." You can do a tremendous thing here. We get so absorbed, we do not always speak to our friends. Speak to them, even strangers, you are not going to give offense.
I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
Entertainers are nothing special. Maybe we have a talent for singing a song, but other people have talents. I wish fans would just come up and say 'hello' before asking for an autograph. I wish they would just say, 'Hello, I'm so and so, and I just want to shake your hand.' I'm impressed when I find people like that. Most people just say, 'Sign here,' and treat you like a statue.
New York City has fantastic restaurants and, unlike London, a lot of the best restaurants are relatively cheap.
At the height of rush hour, people on the London underground actually say "excuse me." Imagine what would happen if you tried an insane stunt like that on the New York City subway. The other passengers would take it as a sign of weakness, and there'd be a fight over who got to keep your ears as a trophy.
There is something very nice about coming to New York and how everyone smiles - even if they don't mean it. When I go back home to London and say hello to people, they look at me like I'm crazy.
But there is something very nice about coming to New York and how everyone smiles - even if they don't mean it. When I go back home to London and say hello to people, they look at me like I'm crazy.
It's time to say goodbye, but I think goodbyes are sad and I'd much rather say hello. Hello to a new adventure.
I like going to New York. I like the galleries and the theatre and the restaurants and bars and music. I think that city is more alive than Los Angeles.
Some people don't even say hello. They come up and say, 'Can I take your picture?' and I'm, like, 'Why?' And they say, 'Oh, you're that guy.' And I'm, like, 'Why do you want a photo of me if you don't even know my name?'
Now, Marlon and I - for some reason, even today - even today, we can't say two words to each other. We really can't talk to each other. You know, I say to him - Marlon can't talk. I mean, he'd talk to you. But he can't talk.
If you say city to people, people have no problem thinking of the city as rife with problematic, screwed-up people, but if you say suburbs - and I'm not the first person to say this, it's been said over and over again in literature - there's a sense of normalcy.
People say that if you talk too much about sex, you take away the mystery. I say, if you're somebody who likes to talk, talk all you want - it's not listening. You will never take away the mystery.
I feel like our culture is so good at pulling other people down and being so judgmental, but there's space for all of us to be who we are. There's space for us to celebrate each other and root for each other and not take each other down.
I have to say 'Celebrity Apprentice' is an eye-opener - what people call each other, what people say about each other. This is different - because this is a business atmosphere, you would never expect it. There was a lot of cattiness going on. It was something that I wasn't used to.
The weird thing about the subway is no one looks at each other. So I play the O2 in London. It's a 20,000 capacity venue, and then I'll take the subway to my gig, and everyone's going to my gig, and no one looks at you. If anyone does, they say, 'Hey, you look exactly like James Blunt, only smaller.'
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