A Quote by Alain de Botton
A good half of the art of living is resilience.
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I am lucky because I do fine art, and that is half of my living. And then illustration provides the other half.
Art, like real estate, is half science, half gut. We go to a lot of art fairs. We have two full-time art experts who help me make all the decisions about how to build the corporate and personal collection and what we put in our developments. We don't let interior designers pick art for us.
Art is for the elite because it has a very high price-point of entry. And when one is in that social strata, they look down at illustrators because they just draw things directly for a few hundred dollars and that's seen as being a bit grubby. Galleries allow artists to stay relatively divorced from the financial aspects of their trade. I am lucky because I do fine art, and that is half of my living. And then illustration provides the other half.
This ability to exist in pieces is what some adults call resilience. And I suppose in some way it is a kind of resilience, a horrible resilience that makes adults believe children forget trauma.
I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
When things get tough, this is what you should do: Make good art. I'm serious. Husband runs off with a politician -- make good art. Leg crushed and then eaten by a mutated boa constrictor -- make good art. IRS on your trail -- make good art. Cat exploded -- make good art. Someone on the Internet thinks what you're doing is stupid or evil or it's all been done before -- make good art.
Art too is just a way of living, and however one lives, one can, without knowing, prepare for it; in everything real one is closer to it, more its neighbor, than in the unreal half-artistic professions, which, while they pretend to be close to art, in practice deny and attack the existence of all art - as, for example, all of journalism does and almost all criticism and three quarters of what is called (and wants to be called) literature.
Every man should view himself as equally balanced: half good and half evil. Likewise, he should see the entire world as half good and half evil.... With a single good deed he will tip the scales for himself, and for the entire world, to the side of good.
Living out one's faith is either no way to live or the only way to live; it's either imprisonment, or the only path to freedom. It offers happiness, or it frustrates the pursuit. There is no half-love, half-religion, half-worship, half-belief, half-truth. There is no kinda-sorta.
The cognitive skills that underpin resilience, then, seem like they can indeed be learned over time, creating resilience where there was none.
I like the boundaryless potential you get when you make work for a context that is open to interpretation. Thinking about an art context is too claustrophobic, though. I always hope that at least half my audience is not directly related to the art world. I use art as a balancing act. It's a good way of avoiding everyday chores and social obligations.
Resilience is very different than being numb. Resilience means you experience, you feel, you fail, you hurt. You fall. But, you keep going.
Art is not living. It is the use of living. The artist has the ability to take the living and use it in a certain way and produce art.
Good art however 'immoral' is wholly a thing of virtue. Good art can NOT be immoral. By good art I mean art that bears true witness, I mean the art that is most precise.
It is easy to be mindless in America, because dreaming of and living for a better tomorrow is the American way. ... The problem is, in the second half of the twentieth century, we have gotten so good at living for tomorrow that most of us spend very little time in the present.
I have a lot of love for the resilience personified in so many achievements made by Americans. I feel not American when that idea of resilience is appropriated to justify discrimination, e.g., "Make America Great Again."
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