A Quote by Alain de Botton

We read the weird tales in newspapers to crowd out the even weirder stuff inside us. — © Alain de Botton
We read the weird tales in newspapers to crowd out the even weirder stuff inside us.
I'm going to do a lot of weird stuff that's not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it's time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
I’m going to do a lot of weird stuff that’s not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it’s time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
The reason we have not gone to newspapers is because its a slow growth industry and I think they are dying. I'm not sure there will be newspapers in 10 years. I read newspapers every day. I even read Murdoch's Wall Street Journal.
My room is like an antique shop, full of junk, and weird stuff. There's a big sword in there. And a taxidermy bird, and a couple of birdcages. And a lot of newspaper cuttings. I used to have a weird thing about cutting out morbid headlines from newspapers, and collecting them. I was fascinated with drowning, which is kind of strange.
When I initially read the script, it goes inside and comes out different things even without commenting on any stuff. And then, those pieces are taken out and then spread out through the movie.
I have a daughter, Hanna, and I never read fairy tales to her. But I did tell her bedtime tales and made up many tales involving 'Gory the Goblin' and other creatures that I borrowed from the Grimms' tales and other tales I knew.
He had read books, newspapers and magazines. He knew that if you ran away you sometimes met bad people who did bad things to you; but he had also read fairy tales, so he knew that there were kind people out there, side by side with the monsters.
I've come to the conclusion that athletes, when they say they miss the crowd, are not missing the sound of the crowd. What they're missing is the feeling inside that makes the crowd roar. It's not the roar of the crowd, it's the silence inside.
Stuff that's truly off-trail was what appealed to 'Weird Tales' editors.
Everyone at a performing arts schools is weird. The weirder you were, the better. If you weren't weird in some way, they'd look at you and be like, 'Who's that square?'
The whole idea of a dream, to me, is a mystery plane. Things are operating there that tell us the real truth. The stuff going on inside us that we don't express or even know about pours out in our dreams.
I've never done a kissing scene with someone even when you're friends. I mean that sort of even makes it weirder. If you don't know them or like them at all, you can kind of put some weird like ... I don't know. It's the strangest thing. Look at the person next to you and imagine making out with them now, while I film it.
The children know all about everything so well that it never occurs to them to play at the situations in any one of these tales, or even to read it twice over. But let them have tales of the imagination, scenes laid in other lands and other times, heroic adventures, hairbreadth escapes, delicious fairy tales in which they are never roughly pulled up by the impossible —even where all is impossible, and they know it, and yet believe.
And in the Second World War, you didn't just read about it in the newspapers because you weren't allowed to read it in the newspapers. It was all censored, you know? So nobody knew what we were doing.
I understood that the stories we believe have power over us. They work into our bodies and minds and change us from inside out. What if one day these stories become something stronger, more real, than fairy tales?
That was a weird thought. My straight-up mother being bothered by faeries? Delia was even weirder. I could picture the scene. Faerie: Come away, human. Delia: Why? Faerie: Untold delights and youth forever. Delia: I'm holding out for a better offer. Ta.
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