A Quote by Alain Ducasse
I'm in love with the markets of the world. It's a photograph of a city, a culture.
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I love having the photograph in my hand. I love looking at the photograph. I love looking at a box of photographs. I just love the still photograph.
...the logic of the photograph is neither verbal nor syntactical, a condition which renders literary culture quite helpless to cope with the photograph.
I love Mexico because that's where I'm from, but my favorite city, whenever I need to recharge, I love Paris. I get very inspired while I'm there. There's so much art and culture, and Paris, before New York, that was the capital of the world. And I love history too, so I go there. It does something special to me.
You can only photograph a fragment of the here and now. The photograph presents the world as object; language, the world as idea.
Without a doubt, at the end of the day, Neom will be floated in the markets. The first zone floated in the public markets. It's as if you float the city of New York.
I am fascinated by how images and motifs move between and adjust to different cultures. I'm a Norwegian living in Los Angeles showing a photograph inspired by Japanese image culture in an American beach town named after a sinking city in Italy.
Born and raised in Paris, I am deeply attached to my city; we almost have half a century of love story together, where I have been truly completely faithful! The most beautiful city in the world is my city, yeepeeee!
The secret to the city is integration. Every area of the city should combine work, leisure and culture. Separate these functions and parts of the city die.
A city's soul is best observed during the morning, what is the culture of the city, how are the people, you also get to know whether the city is cosmopolitan or religious.
I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There are a lot of places I've never been to yet and I may never even make it. There's so much here and there's so much of a variety in terms of culture now. It's amazing. It's all here in one big city. In a lot of ways, the city is unique in the world because it's hard to find another city that has the diversity and range. It's a microcosmic planet, if you look at it that way. And in that sense, it's very much an experimental city.
Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.
There's been a dichotomy in the world financial markets over the last 30 years between the developed markets and the developing markets. Brazil, for example, always had to pay a lot more in interest to borrow money than governments in developed nations.
Prayer for the city is important. For every city in the world, the city should be prayed for. Particularly for London, it is a strategic city for the UK as well as the world, therefore the future of London is significant to the UK, and also the rest of the world.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
I think the good thing about World TeamTennis is different sized markets can have teams. We have a mix of markets and that's the beauty of World TeamTennis. We don't have to be only in the big market.
Bengalis love to celebrate their language, their culture, their politics, their fierce attachment to a city that has been famously dying for more than a century. They resent with equal ferocity the reflex stereotyping that labels any civic dysfunction anywhere in the world 'another Calcutta.'
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