A Quote by Alain Juppe

The French are very bizarre. There is this collective depiction: 'We're in decline, we're being assailed, we must protect ourselves.' — © Alain Juppe
The French are very bizarre. There is this collective depiction: 'We're in decline, we're being assailed, we must protect ourselves.'
A great nation assailed by war has not only its frontiers to protect: it must also protect its good sense. It must protect itself from the hallucinations, injustices, and follies which the plague lets loose.
One must just keep having good seasons with many great matches, whether one is with the club or the French national side. For me, this must be a player's goal in his head, even if it's an individual trophy, and the first thought must be on the collective.
Although we must change the ways we protect our country, we must also guard against policies that appear attractive but offer little real protection and may even impede our ability to protect ourselves.
We must protect ourselves from jihadis without losing ourselves.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
When we see the relatedness of ourselves to the universe, that we do not live as isolated entities, untouched by what is going on around us, not affecting what is going on around us, when we see through that, that we are interrelated, then we can see that to protect others is to protect ourselves, and to protect ourselves is to protect others.
When we see the relatedness of ourselves to the universe, that we do not live as isolated entities, untouched by what is going on around us, not affecting what is going on around us, when we see through that, that we are interrelated, then we can see that to protect others is to protect ourselves, and to protect ourselves it to protect others.
At the root of all our disobedience are particular ways in which we continue to seek control of our lives through systems of works-righteousness. The way to progress as a Christian is to continually repent and uproot these systems the same way we become Christians, namely by the vivid depiction (and re-depiction) of Christ’s saving work for us, and the abandoning of self-trusting efforts to complete ourselves. We must go back again and again to the gospel of Christ-crucified, so that our hearts are more deeply gripped by the reality of what he did and who we are in him.
The point of the first one was that it was about guys being lured by sex and the stereotypes... I always say it's like a horror version of Borat. Borat's not an accurate depiction of Khazakstan, it's an accurate depiction of America. That's what Hostel is.
The French view is really one of balance, I think... What French women would tell me over and over is, it's very important that no part of your life - not being a mom, not being a worker, not being a wife - overwhelms the other part.
In the span of a human lifetime, and well within the collective memory, Britain went from a stable imperial power ruling an appreciable fraction of the Earth's surface to being a tumultuous patchwork which was at least superficially in decline.
It is insufficient to protect ourselves with laws; we need to protect ourselves with mathematics.
My film-making is the privilege of French cinema. I would have to do things totally differently elsewhere. But I think I could learn from that and have fun being part of a bigger collective.
I see Lord Buddha doing to our collective spiritual well-being what global trade did to our collective economic well-being and the digital internet did to our collective intellectual well-being.
Sacred texts give no specific depiction of God, so for centuries, artists and filmmakers have had to choose their own visual depiction.
I just feel at Paris, I will have more chances compared to Madrid. I'm French and I choose a French team. People must be happy to keep a French player in the league.
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