A Quote by Alain LeRoy Locke

The Younger Generation comes, bringing its gifts. They are the first fruits of the Negro Renaissance. Youth speaks, and the voice of the New Negro is heard. — © Alain LeRoy Locke
The Younger Generation comes, bringing its gifts. They are the first fruits of the Negro Renaissance. Youth speaks, and the voice of the New Negro is heard.
I maintain that I have been a Negro three times--a Negro baby, a Negro girl and a Negro woman. Still, if you have received no clear cut impression of what the Negro in America is like, then you are in the same place with me. There is no The Negro here. Our lives are so diversified, internal attitudes so varied, appearances and capabilities so different, that there is no possible classification so catholic that it will cover us all, except My people! My people!
For the Afro-American in the 1920's being a 'New Negro' was being 'Modern'. And being an 'New Negro' meant, largely, not being an 'Old Negro', disassociating oneself from the symbols and legacy of slavery - being urbane, assertive militant.
Being a Negro writer these days is a racket and I'm going to make the most of it while it lasts. About twice a year I sell a story. It is acclaimed. I am a genius in the making. Thank God for this Negro literary renaissance. Long may it flourish
Carmen Jones was the first all-Negro film that became a great box-office success. It established the fact that pictures with Negro artists, pictures dealing with the folklore of Negro life, were commercially feasible. This was a sign of growth that had occurred in the United States and throughout the world.
We should emphasize not Negro History, but the Negro in history. What we need is not a history of selected races or nations, but the history of the world, void of national bias, race, hate, and religious prejudice. There should be no indulgence in undue eulogy of the Negro. The case of the Negro is well taken care of when it is shown how he has far influenced the development of civilization.
If the leading Negro classes cannot assume and bear the uplift of their own proletariat, they are doomed for all time. It is not a case of ethics; it is a plain case of necessity. The method by which this may be done is, first, for the American Negro to achieve a new economic solidarity.
In slave times the Negro was kept subservient and submissive by the frequency and severity of the scourging, but, with freedom, a new system of intimidation came into vogue; the Negro was not only whipped and scourged; he was killed.
There is a magnificent new militancy within the Negro community all across this nation. And I welcome this as a marvelous development. The Negro of America is saying he's determined to be free and he is militant enough to stand up.
Negro writers, just by being black, have been on the blacklist all our lives. Do you know that there are libraries in our country that will not stock a book by a Negro writer, not even as a gift? There are towns where Negro newspapers and magazines cannot be sold except surreptitiously. There are American magazines that have never published anything by Negroes. There are film studios that have never hired a Negro writer. Censorship for us begins at the color line.
It is the duty of the younger Negro artist . . . to change through the force of his art that old whispering "I want to be white," hidden in the aspirations of his people, to "Why should I want to be white? I am a Negro - and beautiful!"
Soon now, as the Negro awakens a little more and sees the vise that he's in, sees the bag that he's in, sees the real game that he's in, then the Negro's going to develop a new tactic.
Alpha Phi Alpha, the oldest of Negro Fraternities, with all of its members presumably far above the average American and having a good practical understanding of the salient factors involved in the Negro's problem, and which a membership upwards of eight thousand men, should be able to take into their hands the leadership in the Negro's struggle for status.
To my mind, it is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering 'I want to be white,' hidden in the aspirations of his people, to 'Why should I want to be white? I am a Negro - and beautiful!'
The vogue of the New Negro . . . had all of the character of a public relations promotion. The Negro had to be "sold" to the public in terms they could understand.
Negro producers, Negro distributors, Negro consumers! The world of Negroes can be self contained. We desire earnestly to deal with the rest of the world, but if the rest of the world desire not, we seek not
Do you know what the Negro is? Animal right out of the jungle. Passion. Welfare. Easy life. That's the Negro.
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