A Quote by Alan Alda

You know what my earliest memories are? Going from one burlesque town to another. My father was in burlesque. — © Alan Alda
You know what my earliest memories are? Going from one burlesque town to another. My father was in burlesque.
Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque.
There have been a lot of roles and scripts that have come my way but nothing that really inspired me or intrigued me like when "Burlesque" showed up at my door. Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque. I've been intrigued by the time that it's set in, in the 20's, 30's, 40's and so I knew it was a no brainer for me to be a part of once I met with the team.
I've been involved in burlesque for a really long time and I've always been really interested in burlesque, and I was writing musicals for different studios.
Burlesque thrived during the Great Depression, and by extension, so, too, did Gypsy [Rose Lee]. Men could no longer afford to pay $5.50 to see a show on Broadway, but they could scrape together $1.00 for a matinee at a burlesque house.
Me personally, I want to entertain people above all. When you look back at burlesque in history and the real golden age of burlesque, those entertainers were there to entertain, and there wasn't usually some big political message behind what they were doing.
Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.
I know my comfort zone and I know what my strong points are and my first love was always music. I'm a huge cinema fan. I was taking my time; I got offered a lot of scripts and things along the way but until Burlesque showed up at my doorstep, it really spoke to me. I have a collection of burlesque books at home that I've had for years. I've always been intrigued and fascinated with the topic, the beauty and the art of it and the comedic value of it. I think it's just a beautiful, empowering thing for women.
In the drag community it's mostly women in the audience, even for burlesque. I think people look at strippping as a male gaze thing and I think the actual neo-classical burlesque community is more about women supporting women and their creativity, along with freedom of expression.
I'd done drag since I was 14, for special occasions, and in 2010 a friend of mine with her own burlesque group was looking for a host. During a party I was just fooling around, taking the microphone, saying stupid, funny things, and she asked me afterward if I wanted to host her burlesque show every Saturday.
A burlesque word is often a powerful sermon.
Heroics that don't come off are the very essence of burlesque.
I want to be a successful trans woman burlesque performer.
My earliest memories of my father are of seeing him work at his desk and realizing that he was happy. I did not know it then, but that was one of the most precious gifts a father can give his child.
Auctions are bizarre combinations of slave market, trading floor, theatre and burlesque... a lot of people are going to be making a lot of excuses or maintaining that they were never part of this.
There is ever a slight suspicion of the burlesque about earnest good men.
Objectivity is almost a choice you make. As a burlesque performer, I didn't choose to be objectified.
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