A Quote by Alan Alda

When your kids turn 13, an alien being invades their bodies and doesn't leave until they're 20. — © Alan Alda
When your kids turn 13, an alien being invades their bodies and doesn't leave until they're 20.
I got a letter from 13-year-old Ryan from Belfast. Now, Ryan, if you're out in the crowd tonight, here's the answer to your question. No, as far as I know, an alien spacecraft did not crash in Roswell, New Mexico, in 1947. And, Ryan, if the United States Air Force did recover alien bodies, they didn't tell me about it, either, and I want to know.
Self-deportation benefits the illegal alien because he can leave without being arrested or detained, and self-deportation benefits the taxpayer because the government doesn't have to spend money arresting the alien, detaining the alien and holding removal hearings.
Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
Don't have children: they deform women's bodies and turn into an enemy 20 years later.
Concentration's like a shower. You don't turn it on until you want to bathe... You don't walk out of the shower and leave it running. You turn it off, you turn it on... It has to be fresh and ready when you need it.
I never stopped being a mother, and I never stopped being an artist. Which is probably why my kids are so creative. When I'm with my kids I'm creating but I'm still a mom. I don't wear two different hats. My kids have always been on the set with me. I was breastfeeding on set. None of my kids would take a bottle so they could not leave my side for a very long time.
It's really easy to be grounded again when you get back home, and you sing in front of 20,000 people a night, and your wife hands you the kids and tells you it's your turn to be on diaper duty and take out the trash. So it's easy to keep things in perspective when things like that happen.
It's true. somewhere inside us we are all the ages we have ever been. We're the 3 year old who got bit by the dog. We're the 6 year old our mother lost track of at the mall. We're the 10 year old who get tickled till we wet our pants. We're the 13 year old shy kid with zits. We're the 16 year old no one asked to the prom, and so on. We walk around in the bodies of adults until someone presses the right button and summons up one of those kids.
My mom's one of 13 siblings, and they all got six kids, and till I was 13 everybody was in Compton.
Well, my mother, I knew until I was 13. She died when I was 13.
money-making is like a god possessing a priest. He never will leave you, until he has occupied you, wholly changed the order of your being, and seared you through and up and down. Then only would he eventually leave you, but nothing of you except an exhausted wreck, lying prone and wondering who are you.
I bought Doc Martens when I was 13, and I wore them pretty much every day until I was 20. They stank, and my dad wouldn't even let them in the house, but I was completely in love with them.
'Warm Bodies' - I was contractually obligated to deliver a PG-13 movie. But, like, I wanted it to be PG-13 because it's for younger people, and I don't want them not to be able to see it. I mean, you have to kind of think about the marketplace as well.
If you voluntarily label a product as being unsuitable for kids and then turn around and market it directly to kids in contradiction of your ratings system, then you should be held accountable just like any other company in America that misleads consumers. That's not censorship. That's common sense.
When you approach something to photograph it, first be still with yourself until the object of your attention affirms your presence. Then don't leave until you have captured its essence.
The purpose of the salt in the steak is to do its work so quietly that it changes the nature of what it invades without calling attention to itself. Salt must get into something in order to have effect, where it indelibly stamps its own character upon what it invades.
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