A Quote by Alan Alda
I have a final word of advice to our students. If you work very, very hard, this is the kind of actor, writer and director you may turn out to be, and if you work extra hard, this is the kind of person you may turn out to be.
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I think it's still hard for me to turn down work if it's really good because for so many years I was so desperate to get a job and couldn't and so it's kind of an anathema for me to turn down work.
I work out like a maniac and I spray tan a lot. Genetics were kind, but I work very hard.
Consumerism, what kind of car you have, what kind of house you have in the country and so on, and that is all very incidental when you examine the kind of person he may be. He may be a big bore, and then there is a person who hasn't done a thing in the world and he is a fascinating person.
Children must be free to think in all directions irrespective of the peculiar ideas of parents who often seal their children's minds with preconceived prejudices and false concepts of past generations. Unless we are very careful, very careful indeed, and very conscientious, there is still great danger that our children may turn out to be the same kind of people we are.
Talent is a very cliched word. Hard work is the key and I am a very hard working person.
A life lived in chaos is an impossibility for the artist. No matter how unstructured may seem the painter's garret in Paris or the poet's pad in Greenwich Village, the artist must have some kind of order or he will proudce a very small body of work. To create a work of art, great or small, is work, hard work, and work requires discipline and order.
Movies either work or they don't work and they're either funny or they're not and we work very hard. To achieve that kind of work is really kind of delicate stitching.
A good deal of my research in physics has consisted in not setting out to solve some particular problem, but simply examining mathematical equations of a kind that physicists use and trying to fit them together in an interesting way, regardless of any application that the work may have. It is simply a search for pretty mathematics. It may turn out later to have an application. Then one has good luck. At age 78.
As things may turn out in the future, people may (though I doubt it) find that their work gives them all the enjoyment - physical, intellectual or aesthetic - which they may require. That certainly is not so now.
Our intentions may be very good, but, because the intelligence is limited, the action may turn out to be a mistake - a mistake, but not necessarily a sin, for sin comes out of a wrong intention.
If you let the plot be determined by what you feel is in the character's mind at that point, it may not turn out to be a very good play, but at least it will be a play where people are behaving in a kind of truthful way.
The structure of theatre is always: turn up, do the job, be present and be kind, and work hard.
I am being very humble about the Arab Spring. There's kind of a competition out there, you might have noticed, of who can be the first to say the Arab Spring is going to fail. Everyone says, "I told you so, I told you so about the Muslim Brotherhood." I have no desire to tell anyone anything. I don't know. I'm just listening, watching. It may turn out all these people are right, they may be wrong. They may be right this year and wrong next year, by the way. I'm just trying to listen day to day, figure it out.
There's a difference between someone who's 'harsh' and someone who is 'hard.' Life was hard. You lived in the South, as my grandparents did, and you had to survive. That is hard. In order to respond to that, he had to become a hard man, with very hard rules, very hard discipline for himself, very hard days, hard work, et cetera.
When I'm making the movie, I absolutely do. I work so hard, and out of the raw material that is the script and talks I have with the director, the writer, I create, I hope, a very specific person who wouldn't have otherwise existed. However, do I then attach and hang on to the finished product? No. The experience of the creation of the character is what feeds me, what excites me, challenges me.
I have never watched property programmes. I watch Property Ladder, because I feel it's very rude for a director to work very hard on a programme and you can't be bothered to even watch it. So I do watch it, but I have to turn away when I'm on screen. It's quite unpleasant seeing myself up there.
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