A Quote by Alan Alda

The one hour live debate in the West Wing that we did was one of the most exciting times for me on stage or on camera, because anything could go wrong. — © Alan Alda
The one hour live debate in the West Wing that we did was one of the most exciting times for me on stage or on camera, because anything could go wrong.
When I came on 'The West Wing,' I jumped onto something that was already a steaming locomotive of a hit. It was very exciting for me because I knew, the moment I got the 'West Wing' job, 'Well, hey, so now I'm on a hit show because it already is established and very popular.'
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
I worked on a weekly one-hour show live from Los Angeles called 'The Dixie Boat Show.' We only had one camera, so there was a lot of panning because it was always on, and anything that went wrong, from actors fluffing their lines to sets falling down in mid-scene, you let it go by.
Anything that Aaron Sorkin writes, I could watch a million times. One of the few shows that I've watched in repeats was 'The West Wing.'
Actually, if I had to do it over [leaving the show the West Wing], I'd do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
You had actors that came from live theatre and it felt like you're doing a play. Every time we did a three or four minute walk-and-talk in the West Wing, the exhilaration of going on stage would be a part of it.
Someone else is going to read for me or go at my place to the mosque, and/or to tell me you shouldn't take anything from the West because the West is the enemy and so on. It is to me to decide. I am intelligent enough to be critical towards the West and take what I need and reject what is bad for me.
The universe works in mysterious ways and for me it worked out perfectly. With all respect to everybody else, Aaron Sorkin is and was The West Wing, full stop. There's no West Wing without him.
A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business - live concerts.
A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business, live concerts.
When we were doing 'The West Wing,' the hardest thing about doing 'The West Wing' was being compared to yourself. You go out there and want every episode to be as good as your best episode. I wrote 88 episodes of 'The West Wing,' and when you do that, one of them is going to be your 88th best, so your 88th best better be pretty good.
I've driven cars worth $6 million and now I'm not as nervous because I do it a lot, but I have to keep my wits about me because if I touch anything or scrape one rim, anything could go wrong.
Someone else is going to read for me or go at my place to the mosque, and/or to tell me you shouldn't take anything from the West because the West is the enemy and so on. It is to me to decide.
I live in Nashville, and I love to sing. When I'm on stage, I feel like a performer for sure. I know people are looking at me and taking pictures and singing along, and that part's wonderful, but I do live in Nashville. I live the most boring life away from what you see me on camera doing.
When I'm speaking on stage I feel my most empowered and my most vulnerable. So much could go wrong. That tension is such a rush.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
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