A Quote by Alan Arkin
'Catch-22' was a huge failure, and it rubbed off on everybody connected to it. I had a bunch of lean years where I had to do things, a lot of which I wasn't wildly enthusiastic about.
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I've had enormous luck and enormous pleasure in working in such forms as movies and plays that I loved when I was a kid and I just - because I could always write dialogue, because I always had a sense of how people spoke. And because I had a strong narrative sense; growing up and loving stories, loving novels, I just seem to know how to tell a story and I read a lot, I went to a lot of movies, I went to a lot of plays, and it rubbed off on me. And that's all. It just rubbed off on me.
With the draft, everybody was involved. Everybody was fodder. When you got to be 21, 22 and graduated from college, for two years your life stopped. If you had been running in the direction of your life, you had to stop and do this other thing which was, if not menacing, just plain boring.
One of the things that struck me as unique about Hollywood is that I never had bad meetings. There were all enthusiastic, but meaninglessly enthusiastic.
I think that's what I learned a lot from Odd Future. I learned a lot of great things from them, but one of the mistakes that they made was that we didn't stay together, and we didn't communicate. We never had meetings. Everybody had issues with everybody else and wouldn't talk about it.
Ten years ago I also had a very difficult decision to make when we had (Carlo) Cudicini giving fantastic performances in Chelsea’s goal for many years. I had in my hands a 22-year-old goalkeeper I thought could be in Chelsea’s goals for years and years and years and this situation is quite similar.
I was 22 years old, actually, incidentally had just been laid off from my job and I had a dog. My parents just didn't understand any of it.
Both my parents had heavy accents, and so did everybody they knew. It's a rhythm thing - people who speak English where they have to hesitate and think of the right word. And I think it rubbed off.
Some failure in life is inevitable. It is impossible to live without failing at something, unless you live so cautiously, that you might as well not have lived at all. In which case you have failed by default. Failure gave me an inner security that I had never obtained by passing examinations. Failure taught me things that I could not have learned any other way. I discovered I had a strong will and more discipline than I had suspected.
Richard Pryor - he had stories, he had characters, he had short jokes, and he had bits. He had all those things. Eddie Murphy has all those things, and he can sing. A comedian is a bunch of stuff; it's not just one area.
My dad, Billy Ray, he had a huge hit in the '90s with 'Achy Breaky Heart.' And, you know, as a kid I always said I wanted to be just like my dad. And it's crazy - just be careful what you wish for because I had the same thing he had, which was a huge hit off his first album.
I still get wildly enthusiastic about little things... I play with leaves. I skip down the street and run against the wind.
I've really thought a lot about why other companies fail or succeed. I had to be a student of failure and find out why things went off the rails. I did that at a fairly deep level, and it's still something I do.
There was only one catch and that was Catch-22. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to.
At 21, right out of college, I had two producers, about my age, who had never produced a show before, and they wanted me to write and produce an hour-long show before I turned 22. Which is a whole lot of work for someone who's just an 'airhead.'
Obviously, there's a big homage to Outland in Moon. I obviously had Ridley Scott's response, which was great. But Peter Hyams really loved Moon and was really enthusiastic about it. He was also enthusiastic about the fact we'd remembered Outland and had remembered it fondly. I think, for him, it was like some kind of edification that there were people out there who loved his film. So, that was a really lovely feeling.
I had a history teacher who taught us a lot about the Cold War. You had these examples of countries where the government had tried to manage the economy really intensely, and it ended up being bad for the citizens there. I found myself beginning to lean more right on economic issues.
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