A Quote by Alan Arkin

I gotta make a living. I make no bones about that. Most actors do. But within that context, I've never not tried to make something as fresh and alive as I possibly could make it.
I tried to make the best music that I could possibly make, and then nothing was ever good enough.
Although we're all in this to make a living, why not make something to make an impact? One day, I'll make a horror film. I think I know what the audience wants.
I could do another tour, make a record that's very similar, do similar venues. Or I could make a different record, do different venues, and grow. It's exciting to take it to new places, but it's never been my intent to be the biggest thing in the world. That's not what my drive is. I want to make what I want to make, and make a living off it.
If I could make a decent living doing documentaries, I would. I don't really care about [the other] stuff so much. But you can't make a living doing documentaries. Although it has affected my work, at least in that I think I make fairly realistic-looking pictures.
You know, piloting really isn't my hobby. And, it's probably not something I'd do in my spare time if I could do whatever I wanted to do. But, I'll tell you: if you've got to make a living, it's a great way to make a living!
My goal every time I make a record is just to make the funkiest, the best music I could possibly make, both lyrically, and music-wise.
I gotta make a living somehow, and make ends meet. I accept the idea of having a retirement.
I try not to make snap judgments. I never, ever make conclusions about products I've never tried.
If you make a sale, you can make a living. If you make an investment of time and good service in a customer, you can make a fortune.
From things that have happened and from things as they exist and from all things that you know and all those you cannot know, you make something through your invention that is not a representation but a whole new thing truer than anything true and alive, and you make it alive, and if you make it well enough, you give it immortality.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
Me and Tory Lanez got good chemistry together. We could make a song so easy, but we always like to figure out what we're really doing. We can make a good song, but it gotta make sense.
I can honestly say that, growing up, it never crossed my mind that I could ever make anything. I could write articles about things, which is why I wanted to be a professor. I loved watching movies and writing about them and teaching them, but it never crossed my mind that I could make something.
I think possibly what people working for one hate the most is indecision. Even if I'm completely unsure, I'll pretend I know exactly what I'm talking about and make a decision. The most important thing I can do is try and make myself very clearly understood.
When I can make music and don't have to think about anyone else's ideas or voice - when I'm making something that only I can make - it feels good. It's nice when you can find a sound that only you can make. No one else can make 'Cosmogramma.' No one else can make 'Until the Quiet Comes.'
Often, some people dress something up to make it sound scientific, use scientific words, call themselves doctor something-or-other, and then you look them up, and they're trying to make it sound like something it's not. There's this entire field that's adding the word 'quantum' to everything. It doesn't even make sense in that context.
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