A Quote by Alan Arkin

For many years my acting came from a place of surmounting some enormous obstacle, confronting some stern and faceless judge who would condemn me to a pit of hell if I didn't achieve the "zone," if even for a moment. Not a particularly happy place to work from.
The zone is a place that you rarely visit. It's not some place you go every week. The zone is sacred ground.
Many people think that if they were only in some other place, or had some other job, they would be happy. Well, that is doubtful. So get as much happiness out of what you are doing as you can and don't put off being happy until some future date.
There are some incredible television shows. It seems a sort of succumbed place to be. At the moment, I'm quite happy sort of flitting from place-to-place. I wouldn't want to relocate from where I am right now in terms of where I live.
I know some people are like "I'm depressed and I'm a struggling artist" and that really works for some people, but that doesn't work for me. I have to be really happy, even when I'm writing my depressing songs; I have to come through that stage before I can write. I have to be in a good place. I'm a positive person.
If you look at any religious description of hell, it is the same as human society, the way we dream. Hell is a place of suffering, a place of fear, a place of war and violence, a place of judgment and no justice, a place of punishment that never ends.
I'd like to be remembered for music that moves people, that takes them some place else, that means something to them, reminds them of a good time or place, some memory, some positive moment.
In the pre-capitalist world, everyone had a place. It might not have been a very nice place, even maybe a horrible place, but at least they had some place in the spectrum of the society and they had some kind of a right to live in the place. Now that's inconsistent with capitalism, which denies the right to live. You have only the right to remain on the labour market.
Nantucket is a place where some kind of magic happens, it's where I met my husband 32 years ago, and we've been together since the day we met. It's the kind of place that when people come here, they think they'll be happy. I see people falling in love or recovering from some conflict here, and I wanted to capture that.
Some Catholics have a concept I very much admire: the Sacrament of the Present Moment. It suggests that every moment of our lives is sacred, and that we should make of each moment a sacrament. Were we to do this we would think of the entire world as diffused with holiness. Wherever we might be would be a holy place for us, and we would see the holy, even sainthood, in everyone we encounter.
I've crossed some kind of invisible line. I feel as if I've come to a place I never thought I'd have to come to. And I don't know how I got here. It's a strange place. It's a place where a little harmless dreaming and then some sleepy, early-morning talk has led me into considerations of death and annihilation.
The enemy often tries to make us attempt and start many projects so that we will be overwhelmed with too many tasks, and therefore achieve nothing and leave everything unfinished. Sometimes he even suggests the wish to undertake some excellent work that he foresees we will never accomplish. This is to distract us from the prosecution of some less excellent work that we would have easily completed. He does not care how many plans and beginnings we make, provided nothing is finished.
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
It may be from some moral obliquity in myself, or from some strange disease; but for me, and I should think too for every human being in whose breast a human heart is beating, to know that one single creature is in that dreadful place would make a hell of heaven itself. And they have hearts in heaven, for they love there.
I want to play 11, 12 years right here and then retire - and win us some national championships, and be the Michael Jordan of Charlotte. This is the place that drafted me, that paid me. This is the place I should be loyal to.
I never knew anybody who was unhappy with their job and was happy with their life. It's your sense of purpose. Now, some people can find it elsewhere. Some people can work a job and find it some place else.
I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.
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