A Quote by Alan AtKisson

This famous quote hangs over my desk, as well as the desks of many people with the hubris and optimism to believe they can change the world for the better. It seems implausible, yet time and again history has proven it true. Virtually every major shift in cultural history can trace its origins to the work of a small group, often gathered around an innovative thinker or body of thought.
To trace the history of a river or a raindrop is also to trace the history of the soul, the history of the mind descending and arising in the body. In both, we constantly seek and stumble upon divinity, which like feeding the lake, and the spring becoming a waterfall, feeds, spills, falls, and feeds itself all over again.
Another thing is, people lose perspective. It is a cultural trait in America to think in terms of very short time periods. My advice is: learn history. Take responsibility for history. Recognise that sometimes things take a long time to change. If you look at your history in this country, you find that for most rights, people had to struggle. People in this era forget that and quite often think they are entitled, and are weary of struggling over any period of time
To trace the history of a river . . . is to trace the history of the soul, the history of the mind descending and arising in the body.
In history there are no control groups. There is no one to tell us what might have been. We weep over the might have been, but there is no might have been. There never was. It is supposed to be true that those who do not know history are condemned to repeat it. I don't believe knowing can save us. What is constant in history is greed and foolishness and a love of blood and this is a thing that even God--who knows all that can be known--seems powerless to change.
I am interested in the possibility that we are going to be wrong in the same way that history has indicated that mankind always is. It seems as though the history of ideas is the history of being wrong. And to me, that is a kind of continuum. It's a continual path that shows we don't always know something, but we're always shifting to a path that makes us feel more comfortable in the moment, even if that shift is wrong, and a new shift is destined to happen again.
Throughout Pixar's history, we've had major meltdowns and crises. It's happened throughout our history: you reach a certain point, it doesn't work, and you start all over again.
If there are indeed any iron laws of history, one of them is surely that in any major crisis of the capitalist system, a sector of the liberal middle class will shift to the left, and then shift smartly back again once the crisis has blown over.
A lot of great things are going on. In many ways, the past 30 years have been the best in world history. But we can do much better. I prefer the word hope over optimism.
History has shown that in every age and in every field of human knowledge, many of the views which almost everyone accepted as true and never bothered to think about further, were in time proven completely wrong.
As with the Pilgrims at Plymouth Rock, the origins of Shearith Israel trace back to a small group of religious freedom-seekers and a treacherous ocean passage to the New World.
[Judge and Jury] is outstanding. I have learned more about the history of baseball, true history, than from anything I have ever read or heard about. [It's] research and documentation clarifies so many of the personalities and events that took place before 'my time' in the game. Jacques Barzun's quote: 'Whoever would know the heart and mind of America had better learn baseball' should be supplanted by [this] biography of Landis.
I think where you're born brings a history with it - a cultural history, a mythical history, an ancestral history, a religious context - and certainly influences your perception of the world and how you interpret everyday reality.
We live in a very special time right now. At no other time in history has there been such mass disillusionment in terms of reliance on governing functions. Most people don’t want to come to terms with that. It’s been proven over and over again that the emperor isn’t wearing any clothes, but most people don’t like to look at naked emperors. In the process of turning around to avert their eyes, they saw the discotheques and a few other things and latched onto them.
I have a fairly unwieldy set of concerns that go into determining what I do in the paintings, such as the history of the decorative, patterns of cultural migration, Islamic art and design, Byzantine architecture, the annals of natural history, as well as contemporary painting. All of these things are filtered through my own sense of cultural urgency. How I proceed with the work has to do with how I respond to this instinctively chosen mass of materials. I'm weighing many things and making many decisions before I even get started on a painting.
For many people during many centuries, mankind's history before the coming of Christianity was the history of the Jews and what they recounted of the history of others. Both were written down in the books called the Old Testament, [the Torah] the sacred writings of the Jewish people ... They were the first to arrive at an abstract notion of God and to forbid his representation by images. No other people has produced a greater historical impact from such comparatively insignificant origins and resources.
Even those who specialize in the history of philosophy often ignore the political and cultural context, and the natural world in which their philosophers were philosophizing. This has consequences both trivial and important. If you systematically read the last fifty years of the major journals in our discipline you would be amazed at the amount of redundancy. Most of this is unacknowledged because most of us know so little about the history of our discipline and even the subfields in which we work.
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