A Quote by Alan Ayckbourn
A gentleman ... sleeps at his work. That's what work's for. Why do you think they have the SILENCE notices in the library? So as not to disturb me in my little nook behind the biography shelves.
Related Quotes
Come indoors then, and open the books on your library shelves. For you have a library and a good one. A working library, a living library; a library where nothing is chained down and nothing is locked up; a library where the songs of the singers rise naturally from the lives of the livers.
Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.
The city sleeps and the country sleeps, the living sleep for their time, the dead sleep for their time, the old husband sleeps by his wife and the young husband sleeps by his wife; and these tend inward to me, and I tend outward to them, and such as it is to be of these more or less I am, and of these one and all I weave the song of myself.
Even the greatest fool can accomplish a task if it be after his heart. But the intelligent man is he who can convert every work into one that suits his taste. No work is petty. Everything in this world is like a banyan seed, which, though appearing tiny as a mustard seed, has yet the gigantic banyan tree latent with it. He indeed is intelligent who notices this and succeeds in making all work truly great.
A friend of mine said to me a year ago, "You're so lucky, Nancy, because Ronnie left you the library," She said, "You have that to work on, and to go to, and, in a sense, to be with him." I had never thought of it like that, but it's true. I go to the library or work for the library all the time, because it's Ronnie. I'm working for Ronnie.
Open your eyes and look for some man, or some work for the sake of men, which needs a little time, a little friendship, a little sympathy, a little sociability, a little human toil....It is needed in every nook and corner. Therefore search and see if there is not some place where you may invest your humanity.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
My father encouraged me to work in the library, just because it was the world that he knew. But I also wanted to do it. I also wanted to work in the library and be part of the library somehow, because it represented a world that really wasn't represented in my home, and I wanted it to be.
Gardening gave me a way to work with silence; not "in silence" but "with silence" - it was a silent creativity.
To this day, my mom's unsinkable spirit is an inspiration to me. For nearly thirty years, she's worked at the Library of Congress. Everyone knows Sameha simply as 'Sami.' Along with 500 miles of shelved books, her closest friendships are cataloged in that library. They are as much the value of work to my mom as is the work itself.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
As a kid I would get my parents to drop me off at my local library on their way to work during the summer holidays and I would walk home at night. For several years I read the children's library until I finished the children's library. Then I moved into the adult library and slowly worked my way through them.
As a kid, I would get my parents to drop me off at my local library on their way to work during the summer holidays, and I would walk home at night. For several years, I read the children's library until I finished the children's library. Then I moved into the adult library and slowly worked my way through them.
The extreme proposition on which Giacometti based all his mature work was that no reality... could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
Behind my carefully buttoned collar is my nakedness, the struggle to find clean clothes, food, meaning, and money. Behind sex is rage, behind anger is love, behind this moment is silence, years of silence.
I have a very dear friend, a great painter, called me up very upset, the work wasn’t going well… He asked me to come to his studio -- which I did -- I looked around at the work, dozens of sketches, drawings, large pictures, and I was very close to his work, intensely involved with his work, and he asked me, ‘What’s wrong?’ And I said, ‘Simple – it’s a loss of nerve.
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