A Quote by Alan Bean
I feel like there's too many paintings left unpainted that I just don't want to take the time away.
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Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
I don't like to be overexposed. Too many articles, too many tweets, too many posts, I just don't like that. But at the same time, we live in a culture where that's almost necessary. People want content and they want their stuff when they want it.
I want the viewer to be overwhelmed. I want the space to feel like it is caving in on the viewer and that they are forcibly entering the world of my paintings. I want there to be a feeling of overpowering decadence to the work, that is almost too much to take. I don't want them to be subtle.
Every time you have sex, you give away a little piece of your heart, and you give that away too many times and there's just nothing left and you've given away the most important part of yourself.
I turned 25. And I don't feel like... whatever, age is just a number. I still feel very young and excited about life and everything. For the first time ever I began to take a look at life and really value it, and realize that there are so many things that I want to do; travel, I want to see the world. I realized that I want to take more time for myself and take more time to see the world and spend time with friends. That sounds so basic but I never really realized that before.
I hope that what you take away from my album is not just the music - which I did want to be fun, and I did want it to be about individuality, but please also take away from it that there's no dream that's too big.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
No, now he didn't want to let himself get too close because he knew it wasn't going to last. Good stuff never lasted. Change would come and wipe it away, and what was the point? It hurt too much every time it was ripped away and he was getting tired of losing pieces of himself. Pretty soon there wouldn't be much left, just scraps of gristle and bone without feeling. He didn't need that
You don't get any mixtapes, you know, 'cause I don't like my voice in there. I want to be that, but that's just not me, you know. And I'm very impatient; if I don't do it right, I'll be like, well, 'Ok that's the best I'm gonna do it.' Because I feel like if you take too much time on something, you lose the motivation for it.
Sometimes perception is almost more important than the skill level of an actor. And if you give too much away, you have nothing to take for yourself and put onscreen. If people feel like they know you too well, they won't be able to indentify with the character you're trying to portray. Or they'll feel that you're just playing yourself, and then you just become a personality actor. And that's the death of any actor.
At bed-time I went into my room and put out the light. I didn't get undressed. I lay on my bed and looked out of the window at the stars. I read in a book that the stars can take you anywhere. I've never wanted to be an astronaut because of the helmets. If I were up there on the moon, or by the Milky Way, I'd want to feel the stars round my head. I'd want them in my hair the way they are in paintings of the gods. I'd want my whole body to feel the space, the empty space and points of light. That's how dancers must feel, dancers and acrobats, just for a second, that freedom.
Personally, the message that I would like to convey to everyone is just that life is really great and you can do whatever you want with it. That's what I feel like I've gotten out of my experience with the band, because I have done so many amazing things that I never thought I would get to do-and I don't really feel like I'm any more qualified than the next person. I feel like people should take their goals seriously and do exactly what they want, because they can.
I feel like too many people on the West Coast, they're too needy. They feel they need Snoop or Game. I never did any tracks with any West Coast artists. Not because I didn't want to, but because I didn't feel like that's what I had to do in order to get on. I just did music.
I like to think of myself as a reasonable man. But I have buried too many friends in the too-recent past, and I have seen too many lies go unquestioned, and too many questions go unasked. There is a time when even reasonable men must begin to take unreasonable actions. To do anything else is to be less than human.
I just really wanted to be taken seriously in my music and I feel like I've done the reality shows and I've loved it, but sometimes you just need to pull away and take time for yourself.
My Dad always told me that casting agencies are like artists picturing their paintings in their mind. They know what they want for a role and not to take it too seriously [if I dont get the part].
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