A Quote by Alan Bennett

Feeling I'd scarcely arrived at a style, I now find I'm near the end of it. I'm not quite sure what Late Style means except that it's some sort of licence, a permit for ageing practitioners to kick their heels up.
I've changed my style constantly, so I'm not sure I have one defined style, except perhaps style of subject matter.
I've changed my style constantly, so I'm not sure I have one defined style, except perhaps style of subject matter. But you learn as you go, I suppose.
Style means no shield at all. Style means no front at all. Style means ultimate naturalness. Style means one man alone with billions of men about.
All literary style, especially national style, is made up of such coincidences, which are a spiritual sort of puns. That is why style is untranslatable.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
I came up in the U.K., which is a very catch-as-catch-can style, and then I somehow ended up in Japan and spent eight years there learning strong style. I got to spend some time in Mexico learning the lucha libre style, and the WWE is a hybrid style of everything mixed together.
Chet Faker's a reference to the late Chet Baker. I'm a big fan of his vocal style; it's quite fragile and soft, and that was a style I wanted to take on.
I try to teach my students style, but always as a part of life, not as ornament. Style has to come out of communicating coherent thought, not in sticking little flowers on speeches. Style and substance and a sense of life are the things literature is composed of. One must use one's own personality in relationship to life and language, of course, and everyone has such a relationship. Some people find it, some don't find it, but it's there.
When you are playing with someone who really has something to say, even though they may be otherwise quite different in style, there’s one thing that remains constant. And that is the tension of the experience, that electricity, that kind of feeling that is a lift sort of feeling. No matter where it happens, you know when that feeling comes upon you, and it makes you feel happy.
I think my style is definitely urban chic. I love mixing street style with the high-end luxury brands, like Gucci, for example. Quite fun.
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
What influenced my style was the feeling that I was a lousy artist... I was like the ugly duckling, not knowing what I was, style-wise, and thinking I was all on my own... I evolved into a style that couldn't be compared to anyone else.
Style has replaced elegance. Before, I believed that style is something a person embodied. But now it's so easy to buy good style if you have the money.
What I lack in style and craft, I can make up for in joy and enthusiasm. I like to be around people who are at ease so I like to think the 25-year-old would find me quite an easy-going late-middle-aged hippie.
You find the most in not any particular denomination specifically. It's the style of worship. So if we have what we call a charismatic worship style, that means upbeat music and a more lively style of preaching usually, people are allowed to clap, say "Amen," whether they're mainline Protestant, conservative Protestant, and Catholics, whatever, they're much more likely to be integrated.
I got my red dress on tonight Dancing in the dark in the pale moonlight Done my hair up real big beauty queen style High heels off, I'm feeling alive
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