A Quote by Alan Bennett
What I'm above all primarily concerned with is the substance of life, the pith of reality. If I had to sum up my work, I suppose that's it really: I'm taking the pith out of reality.
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Accent and emphasis are the pith of reading; punctuation is but secondary.
Well, maybe it was just that I wasn't going to like anybody because I had to work and I had to explain to my teachers why I wasn't keeping up. I'd fall asleep and things in class and they'd lecture me about the reality of their classroom. I said, 'You want to see my reality?' I opened up my backpack to where you usually keep your pencils. That's where I kept my bills... electric bills, rent... That was my reality.
The Infusion of a China plant sweetened with the pith of an Indian Cane.
Reality shows are a beginning for people but I don't think it's a good platform because if you see any of the reality show winners... We really had to crawl our way up and find an opportunity in the industry to become famous but a reality show can't give you that.
Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
The reality, or substance, of professional wrestling is the ability to perpetuate a fantasy. I never distinguished between fantasy and reality. I made my fantasy reality for over 60 years.
Life is suffering. We have desires and expectations and egos, and we compare the reality we have, which is miraculous and wondrous, with this reality we desire. That somehow distances us from actually taking part fully with the reality we do have, and that creates suffering. For me, the thing that I love is that it's all about the present moment.
People ask me all the time, 'Are you fed up with reality TV?' At the end of the day, it can affect my career in the sense that the more reality shows there are, the less scripted dramas out there, but I can't ever really knock them. I started on 'Popstars,' which was a reality talent show. I have respect for them.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
The reality which is pretending be reality right now, impersonating reality, is just a pretty flimsy structure. There is not a lot of substance to it. You can't find people who are actively involved of affected by it. What you see is a completely different world, what you see is the world of the homeless, and so forth.
Economics must not be relegated to classrooms and statistical offices and must not be left to esoteric circles. It is the philosophy of human life and action and concerns everybody and everything. It is the pith of civilization and of man's human existence.
Just as if you do a mash-up of reality from the point of view of African Americans in this country, you're going to end up with something that will say, "This is Black Lives Matter." It's not that people necessarily have started out from that premise. But if you're looking at reality, that will be the result because that is reality.
Life is endless reality. There is reality after reality, spinning on endlessly into the cosmos, billions and billions of manifest universes. Underlying all of this is the unmanifest, the absolute reality.
No stile of writing is so delightful as that which is all pith, which never omits a necessary word, nor uses an unnecessary one.
Uncertainty as to our relationship to God is one of the most enfeebling and dispiriting of things. It makes a man heartless. It takes the pith out of him. He cannot fight; he cannot run. He is easily dismayed, and gives way. He can do nothing for God.
The plastic artist may or may not be concerned with presenting a superficial appearance of reality, but he is always concerned with the presentation - if not the representation - of the plastic values of reality.
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