A Quote by Alan Carr
I didn't want a ghost writer. I've got such a distinctive voice, people would smell a rat, I think.
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All I can do is say I smell a rat. I don't know where it is or what kind of rat it is, but as an artist, I can express how. But I couldn't responsibly stand up and tell people which way to go, because then I'm just as guilty as the people who are telling everybody else what to do and where to go.
I'm very lucky in the sense that I've got a voice that's distinctive. Not good, but distinctive. That's a very useful thing to have in this business. I'm glad on the one hand that I've got it, but I wish it was more powerful. I wish I had a greater range. I wish it was more accurate at times.
An excess of development can undermine the most ephemeral but distinctive tool a writer possesses: authorial voice. A writer's voice is as individual and marked as a thumbprint, and is a playwright's truest imprimatur. It is as innate as breathing, and can be as unique as any genetic code. By its very singular nature, it is seldom born in the act of collaboration. True authorial voice always pre-dates the first rehearsal of a text. And it is - and will always be - an author's most distinguishing and valuable feature.
Why are people afraid of ghosts? 'Ooh, no, I wouldn't want to see one! I'd be too scared' - accompanied by a tremolo of fear in the voice - is the common reaction. This puzzles me. I'd think anyone would welcome he opportunity. I've never heard of a ghost hurting anybody.
I like fresh and clean. I don't ever want anyone to smell me and say, 'Oh that guy is wearing a lot of cologne.' I want people to smell me and say, 'You smell really good!' I think there is a difference.
I know my voice is very distinctive because in a room of 100 people, my voice is always picked out.
I always try to hit a few areas when I'm making a record; I want the sounds to be experimental and exploratory, I want the drumming to be distinctive, and I want my voice to be able to shine through.
I guess I'm very distinctive. I didn't realize how distinctive my voice is, the cadence of it, the slight rasp to it, how I walk, my little laugh that I do all the time.
People say never work with children and animals. I actually like working with Oliver Bell, and working with a rat really opens possibilities to you because you don't know how it's going to be. It's just a rat, so you can just react to this rat being a rat, if that makes sense.
If I were to choose the sights, the sounds, the fragrances I most would want to see and hear and smell--among all the delights of the open world--on a final day on earth, I think I would choose these: the clear, ethereal song of a white-throated sparrow singing at dawn; the smell of pine trees in the heat of the noon; the lonely calling of Canada geese; the sight of a dragon-fly glinting in the sunshine; the voice of a hermit thrush far in a darkening woods at evening; and--most spiritual and moving of sights--the white cathedral of a cumulus cloud floating serenely in the blue of the sky.
Any writer takes inspiration from what they read and watch, and over their career works on forming their own voice. I think it was probably Stephen King who made me want to become a writer.
I consider my selfbeing ... that taste of myself, of I and me above and in all things, which is more distinctive than the taste of ale or alum, more distinctive than the smell of walnutleaf or camphor, and is incommunicable by any means to another man.
If you want your own distinctive voice, you first have to become someone.
I've been in the presence of a ghost, but I've never actually seen a ghost. I don't know if I actually believe in ghosts, to be honest with you. I don't think they exist, but I think they have more to do with energy. People say if someone died in a place it would be haunted, well people have died everywhere, so the whole entire world is haunted.
When you smell our candles burning, what does it make you think of, my child?" Winterfell, she might have said. I smell snow and smoke and pine needles. I smell the stables. I smell Hodor laughing, and Jon and Robb battling in the yard, and Sansa singing about some stupid lady fair. I smell the crypts where the stone kings sit. I smell hot bread baking. I smell the godswood. I smell my wolf. I smell her fur, almost as if she were still beside me. "I don't smell anything," she said.
I got into the business because I love writing. When it came down to finding my voice, which every writer has to take time to do, I think I realized I write black people very well. I write us in a very honest way, and I want to hear the way we really talk.
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