A Quote by Alan Cheuse

In 'Shadow Tag,' Erdrich creates scenes from a fictional marriage, that of two American Indians, Irene and her painter husband Gil, that suggest some of the worst psychological torments and stresses of real life.
In a strange way, Louise Erdrich is perhaps our least famous great American writer; she is not reclusive, but she is reticent, and her public appearances give the impression of a carefully controlled performance. But Erdrich has also shared many of her most intimate emotions and experiences, in some form, in her novels.
Every once in a while, a book so possesses me that I happily give up a couple of consecutive nights of sleep - as well as the evening news broadcasts and latenight talk shows - to finish it. That's what happened when I opened the novel 'Shadow Tag' by Louise Erdrich.
I love it when real science finds a home in a fictional setting, where you take some real core idea of science and weave it through a fictional narrative in order to bring it to life, the way stories can. That's my favorite thing.
Contrary to popular opinion, the most important characteristic of a godly mother is not her relationship with her children. It is her love for her husband. The love between husband and wife is the real key to a thriving family. A healthy home environment cannot be built exclusively on the parents' love for their children. The properly situated family has marriage at the center; families shouldn't revolve around the children.
Seriously, a thirty-something woman shouldn't be daydreaming about a fictional character in a two-hundred-year-old world to the point where it interfered with her very real and much more important life and relationships. Of course she shouldn't.
In How to Be an American Housewife Margaret Dilloway creates an irresistible heroine. Shoko is stubborn, contrary, proud, a wonderful housewife and full of deeply conflicted feelings. I wanted to shake her, even as I was cheering her on, and this cunningly structured novel allowed me to do both. It also took me on two intricate journeys, from post-war Japan and the shadow of Nagasaki to contemporary California, and from motherhood to daughterhood and back again. A profound and suspenseful debut.
There is only one real tragedy in a woman's life. The fact that her past is always her lover, and her future invariably her husband.
On the whole, the great success of marriage in the States is due partly to the fact that no American man is ever idle, and partly to the fact that no American wife is considered responsible for the quality of her husband's dinners.
He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter.
Suddenly the land is haunted by all these dead Indians. There is this new fascination with the Southwest, with places like Santa Fe, New Mexico, where people come down from New York and Boston and dress up as Indians. When I go to Santa Fe, I find real Indians living there, but they are not involved in the earth worship that the American environmentalists are so taken by. Many of these Indians are interested, rather, in becoming Evangelical Christians.
Growing up, my mom was a painter, my best friend was a painter, my husband is a painter. For a long time I knew artists, and I didn't know any writers.
I was raised on government cheese. As an adult, in my first marriage, my husband and I worked real hard just to go bankrupt. I happened to write some jokes about it. I did real well for myself.
Ten Little Indians once again shows [Alexie] to be not just one of the West’s best, but one of the most brilliantly literate American writers, even funnier than Louise Erdrich, even more primal than Jim Harrison, and even more eloquent than Annie Proulx.
I've spent the first part of my life in the shadow of my family. I'm not going to live in the shadow of my husband.
I think that, generally, a woman brings in luck for her husband after marriage, but in my case, my husband is lucky for me.
I remember my first taste of American big movies was 'Ghost Rider.' I'm in two little scenes. But for those two little scenes they had 400 extras, upside-down stunt cars, and a fire brigade.
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