A Quote by Alan Cheuse
From sublime affairs of state to the stark and vulgar popular culture of our own contemporary lives, let's make this descent into the lower registers together and recognize the good, nasty fun of 'Gone Girl,' Chicago writer Gillian Flynn's novel about the mysterious disappearance of a clever and deceptive young Midwestern housewife.
Related Quotes
I love a psychological thriller, particularly ones that are written by women. I've just finished 'Gone Girl' by Gillian Flynn, which was so creepy and never failed to surprise me, particularly the end.
Long before the writer Gillian Flynn popularized the concept of the insufferable 'Cool Girl,' who doesn't exist except in men's fervent fantasies, Hugh Hefner dreamed her, undressed her, and put her in his magazine.
Alafair Burke understands the criminal mind. Long Gone is both an education and an entertainment of the first order. This is a very clever and very smart novel by a very clever and smart writer. The dialogue crackles, the plot is intriguing, and the pacing is perfect.
Many things have changed in our culture here in England as a direct result of the Pistols: the whole street-fashion thing in London, for example, or the coverage of popular culture in the national press, or the fact that the film industry is now about young people making films about young British issues.
The process of writing a novel is getting to know more about the novel until you know everything about it. And it's been described as a kind of dreamlike state where you're letting the novel make its own shape, and you're putting into it the pleasure of creation, which is intoxicating.
One of my favorite literary theorists, Mikhail Bakhtin, wrote that the defining characteristic of the novel is its unprecedented level of "heteroglossia" - the way it brings together so many different registers of language. He doesn't mean national languages, but rather the sublanguages we all navigate between every day: high language, low language, everything. I think there's something really powerful about the idea of the novel as a space that can bring all these languages together - not just aggregate them, like the Internet is so good at doing, but bring them into a dialogue.
Obviously, my name is known now, but I don't think people generally tend to recognize authors very much. People like J. K. Rowling maybe, Gillian Flynn might be recognized, but I reckon she could walk by me on the street, and I wouldn't know who she was.
My place in Chicago is a 105 year old house, but I really like contemporary spaces too, so it's refreshing and fun to be in a space where you can do contemporary things.
I am not anti-man. I am married to a man... I have a father and a brother... I love men. But there is something really lacking when Cake is nominated. How does Julianne Moore win for Best Actress but her film isn't nominated for Best Screenplay? How does Gone Girl become such a critically-acclaimed and box-office hit but its scriptwriter, Gillian Flynn, isn't nominated for Best screenplay. It's disgusting!
Truth and fact are old-fashioned and out-of-date, my friends, fit only for the dull and vulgar to live by. Appearance, not reality, is what the clever dog grasps at in these clever days. We spurn the dull-brown solid earth; we build our lives and homes in the fair-seeming rainbow-land of shadow and chimera.
No writer, I believe, should attempt a novel before he is thirty, and not then unless he has been hopelessly and helplessly involved in life. For the writer who goes out to find material for a novel, as a fishermen goes out to sea to fish, will certainly not write a good novel. Life has to be lived thoughtlessly, unconsciously, at full tilt and for no purpose except its own sake before it becomes, eventually, good material for a novel.
As a nation we have the right to decide our own affairs, to mould our own future. This does not pose any danger to anybody. Our nation is fully aware of the responsibility for its own fate in the complicated situation of the contemporary world.
The towers are gone now, reduced to bloody rubble, along with all hopes for Peace in Our Time, in the United States or any other country. Make no mistake about it: We are At War now & with somebody & and we will stay At War with that mysterious Enemy for the rest of our lives.
I really feel concerned about young people within our present culture. Our present culture, we have to change. Change is inevitable and I wasn't raised in our present culture but it has great pressure that as a young person I never had. Material pressure, social pressure, visual pressure, how you look, and I just try to appeal to young people to think for themselves, to be their own person, and to ask questions and also be very attentive to our planet and our environment.
I wrote my first novel and my second novel in Chicago. It was the place where I became a writer. It's my favorite city.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer