A Quote by Alan Cumming

Performing a one-man Macbeth feels like the greatest challenge. — © Alan Cumming
Performing a one-man Macbeth feels like the greatest challenge.
The idea of Macbeth as a conscience-torm ented man is a platitude as false as Macbeth himself. Macbeth has no conscience. His main concern throughout the play is that most selfish of all concerns: to get a good night's sleep.
Historically, Macbeth is one of the greatest kings Scotland ever had. He was on the throne for 19 years, and he simply has this dreadful reputation because Shakespeare manipulated history for the benefit of James I, who was paying him to write the play to blacken Macbeth's name.
The greatest puzzle in the world, young man, the greatest challenge a man can face, a solving the riddle of a women's heart.
A woman's uniqueness is her greatest appeal to a man - and his greatest challenge.
[May 1958, on playing Macbeth at age 30 and age 48] When you're a young man, Macbeth is a character part. When you're older, it's a straight part.
My greatest challenge is not what's happening at the moment, my greatest challenge was knocking Liverpool right off their f*****g perch. And you can print that.
The first time I saw 'Macbeth' was not the entire play. It was at acting school, and this student was working on Lady Macbeth's soliloquy. I felt something very special, and I knew then that I would one day experience Lady Macbeth, but I always thought it would be on stage and in French.
The brain is biology's greatest challenge. Perhaps in a sense it is the greatest challenge for science as a whole, beyond moon landings, the ultimate particles of the physicist and the depths of astronomical space.
The man who feels like he's a woman trapped in a man's body, when he goes into the ladies room, it's the other women whose privacy it seems to me as being violated by having this man walk in... regardless of how he feels.
When we strike a balance between the challenge of an activity and our skill at performing it, when the rhythm of the work itself feels in sync with our pulse, when we know that what we're doing matters, we can get totally absorbed in our task. That is happiness.
To mankind in general Macbeth and Lady Macbeth stand out as the supreme type of all that a host and hostess should not be.
When I started at 'SNL,' I was lucky to start early. So now starting on 'Update,' I am the age when most people are when they start doing that. It feels like a different world and capacity, like starting over in another challenge. A heightened challenge.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
Hamlet is to Macbeth somewhat as the Ghost is to the Witches. Revenge, or ambition, in its inception may have a lofty, even a majestic countenance, but when it has "coupled hell" and become crime, it grows increasingly foul and sordid. We love and admire Hamlet so much at the beginning that we tend to forget that he is as hot-blooded as the earlier Macbeth when he kills Polonius and the King, cold-blooded as the later Macbeth or Iago when he sends Rosencrantz and Guildenstern to death.
I guess I think like deep inside, I know that it's like, it's a different kind of performing, it's not really... You're not performing like a guitar player or a singer is performing, you know what I mean? So it's weird to be in the same type setup as one of those. 'Cause I'm not really doing much, you know, like technically it's not that hard.
I think 'Macbeth' was a play that I've always gotten so much out of. My wife played Lady Macbeth in a play, and I designed it. There are things in there that are just kind of extraordinary.
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