A Quote by Alan Cumming

I like the tragedies way more than the comedies because they're so universal. — © Alan Cumming
I like the tragedies way more than the comedies because they're so universal.
There's something vile (and all the more vile because ridiculous) in the tendency of feeble men to make universal tragedies out of the sad comedies of their private woes.
How children attempt to deal with everyday comedies and tragedies, and mortality, is universal and ultimately such a large part of what it means to be human.
It is observable that the ladies frequent tragedies more than comedies; the reason may be, that in tragedy their sex is deified and adored, in comedy exposed and ridiculed.
The stage is more beholding to love than the life of man. For as to the stage, love is ever matter of comedies and now and then of tragedies; but in life it doth much mischief, sometimes like a Siren, sometimes like a Fury.
I'm fascinated by failure, and I'm fascinated by finality. Shakespeare's historical plays are more universal than his comedies because they relate to the finality of life. Without finality, life would not be beautiful.
Im fascinated by failure, and Im fascinated by finality. Shakespeares historical plays are more universal than his comedies because they relate to the finality of life. Without finality, life would not be beautiful.
For life is terribly deficient in form. Its catastrophes happen in the wrong way and to the wrong people. There is a grotesque horror about its comedies, and its tragedies seem to culminate in farce.
All tragedies are finished by a death, All comedies are ended by a marriage.
Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives.
With comedies, I like to be a producer, because comedies can get corny and go off track real fast.
I believe how you measure a good movie is how many times you can see it. With comedies, I like to be a producer, because comedies can get corny and go off track real fast. I'm always the 'less is more' guy when it comes to a scene. So I'ma be the one who will keep it grounded.
I like human comedies - or dramedies. More than anything, I'm interested in people just dealing with everyday things that are difficult, and there is more than enough comedy and drama in that.
Society mends its wounds. And that's invariably true in all the tragedies, in the comedies as well. And certainly in the histories.
Ponder, your comedies are woeful chaff: Write tragedies, when you would make us laugh.
I'm proud of everything I've done. If it's comedy, it's 'cause I think it's funny. If it's a drama, it's impactful. I'm leaning towards dramas now because I wrapped a couple comedies in a row. I don't like watching myself, but it's easier on me when I don't have to carry a lot of the comedy. But I enjoy making comedies but dramas come more naturally.
I didn't want to make a literal film about Detroit, because it felt like what they were experiencing was more universal than that.
This site uses cookies to ensure you get the best experience. More info...
Got it!