A Quote by Alan Dale

I think the most fun I ever had was playing King Arthur in Spamalot on the West End. — © Alan Dale
I think the most fun I ever had was playing King Arthur in Spamalot on the West End.
Casting me as King Arthur was quite bold of 'Spamalot's producers, although it has been historically proved Arthur was Asian, and that Sunday trading started with Asians in 11th-century Britain.
Yet, there was once a king worthy of that name. That king was Arthur. It is paramount disgrace of this evil generation that the name of that great king is no longer spoken aloud except in derision. Arthur! He was the fairest flower of our race, Cymry's most noble son, Lord of the Summer Realm, Pendragon of Britain. He wore God's favour like a purple robe. Hear then, if you will, the tale of a true king.
King Arthur is profoundly stupid and inept.. then there's Clive Owen, rising above it all. Aloof yet watchful, the actor cultivates an inner stillness that is perfect for faintly ironic brooders. He neither distances himself from this risible material nor pulls out the stops and opens himself to ridicule. His King Arthur tells us little about Arthur, but much about protecting one's flank. The mark of a box-office king?
Because of the nature of King Arthur and the resonance he has, not only with within the U.K., but right around the world, I have found it a huge honour to play the part. I will look back on it very fondly and be very proud to have been King Arthur when I finally hang up the chain mail!
Arthur Miller said one of my favorite lines ever, that he had the mother say to her two sons about a very unstable father in Death of a Salesman. She said, "Attention must be paid." It's one of the most resonant lines that I think he ever wrote, and I think attention must be paid to the truth.
Most snarky critics had their minds set before ever seeing/playing the game. I'm proud of what we created; it's innovative, responsive & fun.
You end up with this succession of periods when everything was marvellous - from King Arthur to the medieval times, Ivanhoe, chivalry, Henry VIII, Merry England, the Blitz
I think I've had more fun playing Varga than I've had for quite a number of years playing anything.
I am delighted to be working with Guy Ritchie on 'King Arthur,' who's been a boyhood hero of mine ever since 'Lock, Stock' and 'Snatch.'
I also wanted to have fun with it. I wanted to have the scope, which I felt Merlin has, in his Machiavellian bi-polar way. He's not to be trusted, yet he is fighting for this great power and is really a master, to some degree, in orchestrating Camelot and King Arthur. He's a strange, dark devious character, and I just wanted to have fun, and get away from the cloak and long beard and pointy hat.
Playing Martin Luther King Jr. was an honor for me on so many levels. It was the most I've ever prepared for a role.
When I got the job on 'Cursed Child,' I was doing another show in the West End, and I was playing a part that Marlon Brando had played.
Making the record was tons of fun, the most fun I've ever had.
I've just written a very gritty, non-magical take on the King Arthur legend, 'Here Lies Arthur,' and I'm currently toying with some other historical ideas, as well as working with the illustrator David Wyatt on some sequels to my Victorian space opera 'Larklight.'
King Arthur and his armored goons of the Round Table functioned as the Politburo of a slave state: Camelot. Of all who have written on the Matter of Arthur, from Malory to White, only Mark Twain understood this. But Mark Twain was a great writer.
Growing up as a Brit, Arthur and Merlin and Camelot, and just the idea of it, is embedded in the culture and in your soul, growing up. King Arthur is alongside Robin Hood, as those great British folk tales, myths and icons.
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