A Quote by Alan Dean Foster

Don't try to write to the trend of the moment. — © Alan Dean Foster
Don't try to write to the trend of the moment.
I don't put a very clear label on my work. If anything, I write science fiction - looking at a moment now, in the present, and then extrapolating outward to think about what the future might look like if this particular trend goes on, or if this particular trend is the most dominant. That's a science fictional tool.
Don't ever write just for a trend or fad, because it's a moving target, and by the time you get your work out there, the trend or fad is gone. Dig deep; don't be afraid to write fiercely. Expose your heart.
I want to write for people that are trying to do some kind of quality music. What I mean by quality music is not so much the trend, what is hot right now. I don't write trendy, I write what feels good and something that feels good will never get old. Timeless music is what I try to shoot for.
I looked at the rap community like street kids wanting their own brand. But now I look at that period with the rappers in the 90s as a trend of the moment. What it taught me was never to follow a trend, because trends move on.
Write the best book you can, the one that demands to be written, no matter what genre it is. Even a trend the trades tell you has gone stale can be revitalized by a superb piece of writing. It'll never be revitalized by someone jumping on a trend bandwagon.
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
A trend is a trend is a trend. But the question is, will it bend? Will it alter its course through some unforeseen force and come to a premature end?
Yes, I, well, when I write, as often as I can, I try to write as if I'm talking to people. It doesn't always work, and one shouldn't always try it, but I try and write as if I am talking, and trying to engage the reader in conversation.
The market being in a trend is the main thing that eventually gets us in a trade. That is a pretty simple idea. Being consistent and making sure you do that all the time is probably more important than the particular characteristics you use to define the trend. Whatever method you use to enter trades, the most critical thing is that if there is a major trend, your approach should assure that you get in that trend.
I try to write cinematically. Let me define what I mean by that. First of all, I try to write in a visual way so that the reader can watch a movie in their head. And it keeps moving. I try to structure the stories like a screenplay may be structured.
There has been, for some reason (or more likely an unfortunate accumulation of reasons) a trend over the past several decades for parents to do the work of parenting in the isolation of their own homes - and not only that, this trend has overlapped with the other trend of much deeper parent involvement in raising kids. That you also represent trend No. 3, more people raising kids solo, has only exacerbated a close-to-no-win situation.
If you're gonna write, for God in heaven's sake, try to get naked. Try to write the truth. Try to get underneath all the sham, all the excuses, all the lies that you've been told.
I shall try to write a poem that is about the moment but doesn't betray things that are true to me as a poet.
Have you ever thought, when something dreadful happens, 'a moment ago things were not like this; let it be then, not now, anything but now'? And you try and try to remake then, but you know you can't. So you try to hold the moment quite still and not let it move on and show itself.
I try not to write more than two or three, I try to just write one if possible, I write till the end at least a draft of a play or a novel; but sometimes, I'll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
Charles Bean is a brilliant director. I come in with an idea and try to do it, but I fall on my face. And then, he says, 'Wait a minute, there was a little moment in there. Let's try that moment and expand in that direction.'
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