A Quote by Alan Furst

I started writing in my 20s. I just wanted to write, but I didn't have anything to write about, so in the beginning, I wrote entertainments - mainly murder mysteries. — © Alan Furst
I started writing in my 20s. I just wanted to write, but I didn't have anything to write about, so in the beginning, I wrote entertainments - mainly murder mysteries.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
I liked to write from the time I was about 12 or 13. I loved to read. And since I only spoke to my brother, I would write down my thoughts. And I think I wrote some of the worst poetry west of the Rockies. But by the time I was in my 20s, I found myself writing little essays and more poetry - writing at writing.
You write the facts as you see them, and there isn't a lull with a lot of description. No wonder people like to write about murder mysteries and dead bodies!
In a way, I started 'Goon Squad' not even realizing I was writing a book. I thought I was just writing a few stories to stall before starting this other book that I wanted to write - or thought I wanted to write: I still haven't written it.
When I first started writing, there was no way I'd write a sex scene. That just seemed impossible. That's why in "Fight Club" all the sex happens off-screen. It's all just a noise on the other side of the wall or the ceiling. I just couldn't bring to write in a scene like that. So one of the challenges with "Choke" was I wanted to write sex scenes until I was really comfortable just writing them in a very mechanical way.
It took me at least all my 20s and some of my 30s to get the confidence to realise I could just write about what I wanted to write about without having to pass a test or look super clever.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.' But in the six years of writing that novel, I actually learned to write, to invent things.
Writing a TV show is totally different than writing features, or just, what I started doing is writing features. You write a little bit more organically. You start from the beginning to the end, beginning, middle and end.
When my writing really started to take off was when I made a decision that I would write only what I wanted to write, and if 10 people wanted to hear it, that's fine.
I just wanted to write something about running, but I realized that to write about my running is to write about my writing. It's a parallel thing in me.
The fools who write articles about me think that one morning I suddenly decided to write and began to produce masterpieces. There is no special trick about writing, or painting either. I wrote constantly for 15 years before I produced anything with any solidity to it.
I don't have a whole bunch of literary connections. I don't write reviews or attend writer's conferences. I'm kind of shy and don't want to go to a party. I just want to stay home and read my murder mysteries and try to write and cook dinner.
When I first started writing in my early 20s it was literary criticism for a very eccentric magazine called Books And Bookmen, which allowed me to write, more or less anything.
I started out in graduate school to be a fiction writer. I thought I wanted to write short stories. I started writing poems at that point only because a friend of mine dared me to write a poem. And I took the dare because I was convinced that I couldn't write a good poem... And then it actually wasn't so bad.
I was an only child who was never really good at anything else. I had no other option. I could write; I wanted to write; I wrote. Otherwise, I was unemployable.
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