A Quote by Alan Furst

I like to say I sit alone in my room, and I fight the language. I am wildly obsessive. I can't let something go if I think it's wrong. — © Alan Furst
I like to say I sit alone in my room, and I fight the language. I am wildly obsessive. I can't let something go if I think it's wrong.
I think the language that we use in dealing with one another is very important. And even if I am called upon to bring out some money to support a regime, and I am entitled to say I do not like what that regime does and obviously I am not going to put money there - you cannot really say this is wrong or this is unreasonable.
I am not to speak to you, I am to think of you when I sit alone or wake at night alone, I am to wait, I do not doubt I am to meet you again, I am to see to it that I do not lose you.
If I'm not doing something or working on something, I literally just sit in the room and think, which I don't think is productive. I won't go outside for days.
I like to comprehend more or less everything around me - apart from the creation of my music. It's an obsessive character trait that's getting worse. I don't switch the light on and off 15 times before I leave the room yet, but something's going wrong.
When I go to throw a punch, actually, my intention is to hit somebody. That's just second nature to me. So you have to just rewire yourself. It's not something where you have to sit and subconsciously think about it, but you kind of have to just put yourself in that mode and go with it. Learning the fight scenes, I've never had to learn choreography before, so learning the fight scenes was like learning a dance or something like that. I had a little bit of influence in the fight scenes and I tried to put as much influence there as I could, but I had fun doing it.
Here. Where I am anonymous and alone in a white room with no history and no parading. So I can make something unknown in the shape of this room. Where I am King of Corners.
I have to sit alone in a room and be alone with my own thoughts. It always starts with an idea, and once the idea grows, I have a concept of what I want to say, and once I go out there and start feeling the energy, that concept grows and becomes whatever it is.
I can sit in my room and write a song that I think might be a hit. I can sort of make myself do that, and then I'll play it to a friend, and they'll say, 'Oh, that's nice.' But when something happens to me, and I sit down and write a song to get rid of my emotions, they'll turn around and say, 'Wow, that's great.'
For so long, the model for writing has been, you sit in a room alone for a number of days or weeks or months or years and figure it out. But now, you don't have to do that; you don't have to be alone in the room anymore.
I'm definitely not a guy that comes in the dressing room saying, "Hey, everybody, what a wonderful life." I'm usually brooding about something I think is wrong. I care so much about getting the music right, and if I think someone's slacking I get very upset about that. I just can't go on stage and say, "Another day, another dollar," which I've heard a few people say: I can't go along with that at all. It's got to be as good as you can do - to my own detriment.
I think segregation is bad, I think it's wrong, it's immoral. I'd fight against it with every breath in my body, but you don't need to sit next to a white person to learn how to read and write. The NAACP needs to say that.
I'm not really gay, and I can't sit here and say that I am, because that's not real and that's not genuine. But I also can't sit here and say that I'm straight. This is something I've come to the conclusion through therapy and from being honest with myself. I am bisexual.
They say, "Katie, you're wrong." And if I say, "How dare you say that? I have studied and studied." Or, "I am an expert in" whatever area we're talking about. Or, "No, you are wrong! And I think you're rude!" Or anything like that, and if we don't say it out loud, maybe we think it, but that's stressful. The moment I've defended, in any way, I've started the war.
I like to go into an audition room, particularly when they think I'm not right for a part, and really fight for it. There's something so exciting and challenging about proving to yourself that you can pull it off.
I'll be in, like, Starbucks or something and I'll say my order and someone will snap their head around and go, 'Whaat, Alaska?! Hieeee!' I find it nice because I can be alone in a strange city where I don't know where I am, and then if a fan runs into me I feel like I am among friends and family.
A mega fight to me is a fight that I am in and people think I am going to lose. I am the underdog. Golovkin, it's a perfect fight. It's a hard fight, but a fight that I think I have a fantastic chance of beating him. He's not the biggest middleweight, so if he moves up in weight, I am going to have the size advantage.
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