I read very little contemporary anything... I don't think I read what other people read, but then why would I, considering what I do?
I read everything. I've always got a book on the go and I'm really nerdy about it, I get through books and don't remember anything about them afterwards. But I read all sorts, from classic to contemporary.
I would argue that education, actual learning - it is hard work. It's very personal. Your parents don't teach you anything. Your teachers don't teach you anything. The government doesn't teach you anything. You read it. You don't understand it; you read it again. You break a pencil and read it again.
Education, actual learning - it is hard work. It's very personal. Your parents don't teach you anything. Your teachers don't teach you anything. The government doesn't teach you anything. You read it. You don't understand it; you read it again. You break a pencil and read it again.
My uncle Randall always had a book in his hand. He read in the car, he read at restaurants, he read when you were talking to him. He read lots of different things, but mostly it was Louis L'Amour's westerns and contemporary thrillers.
When I first read the script for 'A Little Chaos,' I just loved reading it, as it is a really lovely, accessible, contemporary period film.
If contemporary literary fiction doesn't read a bit like science fiction then it's probably not all that contemporary, is it
Anyway I read more contemporary poetry than contemporary fiction so my mind goes first to a kind of crass "conceptualism" that repeats vanguard gestures of the past minus the politics and historical context.
People like to complain about the state of contemporary literature, but I can only assume they don't read it very widely.
Read. Read every chance you get. Read to keep growing. Read history. Read poetry. Read for pure enjoyment. Read a book called Life on a Little Known Planet. It's about insects. It will make you feel better.
I grew up in a place where books were very, very scarce, and I loved to read. I used to read the writing on my breakfast Ovaltine over and over again because it was in front of me, and I couldn't help but read anything that was in front of me.
I have trouble reading modern Hebrew. In the 1950s, I could read anything. I don't know how much experience you've had with contemporary Hebrew. It's quite difficult.
So much of contemporary crime fiction is painful to read and obsessed with violence, particularly against women, and I can't read that.
I don't like to read anything on the radio for the very first time, because I don't have any notion of a reaction. When I read it out loud, then I get an idea of that, and more of an idea of how to read.
But you know in the contemporary art world, you pose a very interesting conundrum. All sorts of people collect very contemporary art, yet when it comes to the music which is analogous to that sort of art, they are not interested, or perhaps even hostile.
How to read "Harry Potter and the Sorcerer's Stone"? Why, very quickly, to begin with, and perhaps also to make an end. Why read it? Presumably, if you cannot be persuaded to read anything better, Rowling will have to do.