A Quote by Alan Furst

What you get in the Cold War is 'the wilderness of mirrors' where you have to figure out what's good and what's evil. That's good for John le Carre, but not me. — © Alan Furst
What you get in the Cold War is 'the wilderness of mirrors' where you have to figure out what's good and what's evil. That's good for John le Carre, but not me.
Le Carre's voice - patrician, cold, brilliant and amused - was perfect for the wilderness-of-mirrors undertow of the Cold War, and George Smiley is the all-time harassed bureaucrat of spy fiction.
For John le Carre, it was always who's betraying who: the hall-of-mirrors kind of thing. When you go back to the '30s, it's a case of good vs. evil, and no kidding. When I have a hero who believes France and Britain are on the right side, a reader is not going to question that.
Of John Le Carre's books, I've only read 'The Spy Who Came In From The Cold,' and I haven't read anything by Graham Greene, but I've heard a great deal about how 'Your Republic Is Calling You' reminded English readers of those two writers. I don't really have any particular interest in Cold War spy novels.
What le Carré is so good at is unpicking something very specific about Englishness. That is almost part of why I think he wrote the novel. You can feel le Carré's anger that someone who has had the benefits of an English education and an English upbringing is using that privilege to basically do the worst things imaginable. There is an anger in the book about that.
I am indeed a fan of John le Carre's novels.
I will read anything by Laura Hillenbrand, Walter Isaacson, Barbara Kingsolver, John le Carre, John Grisham, Hilary Mantel, Toni Morrison, Anna Quindlen and Alice Walker.
John le Carre's 'The Night Manager' is a relentlessly exhilarating thriller with profound emotional depths.
I think John le Carre is, at 77, the greatest living writer alive. He is a master craftsman.
John Lewis Gaddis is not only the favorite historian of the Reagan administration, but he's regarded as the dean of Cold War scholarship, the leading figure in the American Cold War scholarship, a professor at Yale.
War is good when good survives and evil is crushed. If you don't crush evil then evil will get you.
I'm pretty omnivorous - in fact, I don't think of books in terms of genres. J. K. Rowling's 'Harry Potter' books are no more Y.A. reading, to me, than John le Carre's 'Smiley' novels are spy stories.
Fast-paced from start to finish, 'The Honourable Schoolboy' is fired by le Carre's conviction regarding evil done and its consequences.
He [John Le Carré] really paid tribute to the people who are willing to risk their own lives to fight injustice - they are greater men and women than I.
To have a film where there's an evil figure and a good person fights against the evil figure and everything becomes a happy ending, that's one way to make a film. But then that means you have to draw, as an animator, the evil figure. And it's not very pleasant to draw evil figures.
To have a film where there's an evil figure and a good person fights against the evil figure and everything becomes a happy ending, that's one way to make a film. But then that means you have to draw, as an animator, the evil figure. And it's not very pleasant to draw evil figures.
I come out of a Cold War sensibility, a Cold War mentality, and during those Cold War years, I used to know, I thought, the answers to everything. And since the end of the Cold War, I'm just a dumb as everyone else.
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