A Quote by Alan Furst
Poland is a wildly dramatic and tragic story. It's just unbelievable what went on with those people. How they survive, I don't really know. The Germans had a particular hatred for the Poles; they really considered them subhuman Slavs, and they were very brutal to them.
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Who can think that this eviction of Germans was undertaken only as a temporary experiment? Those who adopted the decision on the eviction of the Germans from these territories, and who understood that Poles from other Polish districts would at once move into these territories, cannot suggest after a while to carry out reverse measures. The very idea of involving millions of people in such experiments is unbelievable, quite apart from the cruelty of it, both towards the Poles and the Germans themselves.
There was a solemn article in the local paper seriously advocating systematic exterminating of the entire German nation as the only proper course after military victory: because, if you please, they are rattlesnakes, and don't know the difference between good and evil! (What of the writer?) The Germans have just as much right to declare the Poles and Jews exterminable vermin, subhuman, as we have to select the Germans: in other words, no right, whatever they have done.
I don't know what of our culture is going to survive, or if we survive. If you look at the Greek plays, they're really good. And there's just a handful of them. Well, how good would they be if there were 2,500 of them? But that's the future looking back at us. Anything you can think of, there's going to be millions of them. Just the sheer number of things will devalue them. I don't care whether it's art, literature, poetry or drama, whatever. The sheer volume of it will wash it out. I mean, if you had thousands of Greek plays to read, would they be that good? I don't think so.
I felt like the Germans were being mean to me at training, but they were actually just trying to help. I learned really quick - which made me a better player. I'm appreciative of the way they treated me. It's just the language and, of course, as an American, I had to learn that. No offense to them; I love them to death, and I love my teammates.
Sexuality is a place where people are very vulnerable and can be experiencing and embodying very raw forces that they don't really understand and there's a question of how much you should control and how much you should play with those and what those forces really are, how you really feel about them. That's perennial.
We live in an epidemic of self-hatred. I see it daily with people coming at me, and they do it to everybody, it's not just me. The hatred is really stemming from them not liking themselves. When you look at it that way, I feel so much empathy and understanding for those people.
I just wish I had longer. It's very frustrating. As you know, to people over here, cities like [Washington] D.C. are iconic. We know them so well. It's very frustrating to be in one of them for 36 hours and have a show to do because you can't really do anything.
Unless you are a part of someone's life every day or even just with them most of the time, you will never really know what they have and had, what happened with them and how they really are, what they do, why they do it that way and what they feel.
I remember going to a Trump rally in South Carolina, and it was really important and it was really interesting to talk to the people who'd shown up there because they were not caricatures, and so often Trump voters, Trump supporters were being portrayed in the media, probably I'm guilty of it as well, as caricatures. Each of these people, and I talked to maybe a dozen of them, had a very particular reason why he or she was supporting Donald Trump , but these were not casual, inexplicable decisions.
I really felt that I had to stay level, I had to control, I had to know what I was eating, I had to know what I was doing, I had to work out. All that stuff is very powerful and it really helps, but now I don't do it out of survival. At first, I was just trying to survive. I assumed at some point I'd be screwed otherwise.
I, in middle school, started really, really liking country music because it tells a story. It's really dramatic; I'm really dramatic. There's a lot of emotion. It was like, 'This is a perfect fit,' and I was teased mercilessly for it.
You might think you're connecting with your friends on Facebook but when was the last time you went out with your friends and asked them how they were doing? When was the last time you called them and prayed with them and really had a conversation? Go ahead and do those things with social media. I get it. I really do. But if you're lacking the other things, that's when it's out of balance and you're not really connected.
The Gospel writers are not really interested primarily in the facts of the birth but in the significance, the meaning for them of that birth just as the people who love us are not really interested primarily in the facts of our births but in what it meant to them when we were born and how for them the world was never the same again, how their whole lives were changed with new significance.
I really try to avoid, you know, rolling out the history. The people are so important to me, and what happens to them, how they react, how things happen to them, this is what is important. I feel that if I can tell THAT story well, then people will go and Google the rest and fill in what they need to know.
There are Jews who were born in Poland before World War II and survived the Holocaust, who think Poland and the Poles deserve an apology.
I recognize them for what they were. 'DeDe Dinah,' 'Ginger Bread,' come on. They're fun things. They're middle of the road. It wasn't really rock and roll. I don't know what it was, but it was something accepted and bought, and people still like them. When I reminiscence on stage, people respond. They really like those songs.
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