A Quote by Alan Furst

When you move a border, suddenly life changes violently. I write about nationality. — © Alan Furst
When you move a border, suddenly life changes violently. I write about nationality.
A dash derives from "to dash," to shatter, strike violently, to throw suddenly or violently, hence to throw carelessly in or on, hence to write carelessly or suddenly, to add or insert suddenly or carelessly to or in the page. "To dash" comes from Middle English daschen, itself probably from Scandinavian-compare Danish daske, to beat, to strike. Ultimately the word is-rather obviously-echoic.
My first tic was to shake my head violently. I was in karate class, and I was shaking violently. All of a sudden, I just started to notice that the teacher was looking at me, and all the kids were wondering what I was doing. I suddenly felt really strange.
Post 9/11, we've seen such disastrous policies on the border. I live two and a half hours away from the border, and I've seen changes for the communities there. I feel like it's an occupied zone. We're losing our rights, and both sides of the border are terrified. The Mexican population and the U.S. population are united in fear.
I write about things that are important for us as Americans. I'm concerned about al-Qaeda sneaking across the border with the illegal immigrants that are using the coyotes to get across the border. And that's not a Democrat or Republican issue, that's a national security issue.
I write about things that are important for us as Americans. I'm concerned about al-Qaeda sneaking across the border with the illegal immigrants that are using the coyotes to get across the border. And that's not a Democrat or Republican issue, that's a national security issue
When you're an adolescent, you suddenly wake up one morning and your body is an enemy. There are hormonal changes, physical changes, emotional changes. People are saying to you, 'Now you have to make the decisions that define the rest of your life.' The X-Men takes those elements and pushes them one giant step farther.
The work changes the way your face changes and ages - it just does. Also, I have very little connection to anything I've written. I move on. We all move on
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
A muse comes down from Mount Olympus and changes my attitude, cheering me up - it's an inner intuition, suddenly giving a breakthrough to be able to move ahead.
Football brings changes and different direction in your life. It's about how you adapt to it and move on.
I like to talk about my obsession with french fries because I don't want people to think that 'Let's Move' is about complete, utter deprivation. It's about moderation and real-life changes and ideas that really work for families.
I write about what I'm thinking about. I write about what is bothering me or what is a political, aesthetic, or ethical issue or something, and then I figure out how to do it. I don't write essays that kind of just sustain one thought. I tend to move around because that's what I like.
As my life changes, it gives me new things to write about.
I sometimes think that rich men belong to another nationality entirely, no matter what their actual nationality happens to be. The nationality of the rich.
You don't sit down and write a wish list about the person you are going to fall violently in love with. It just doesn't work like that.
The characters in my novels are my own unrealized possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented. It is that crossed border (the border beyond which my own "I" ends) which attracts me most. For beyond that border begins the secret the novel asks about. This novel is not the author's confession; it is an investigation of human life in the trap the world has become.
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