A Quote by Alan Furst

Spy novels are traditionally about lone wolves, but how many people actually live like that? — © Alan Furst
Spy novels are traditionally about lone wolves, but how many people actually live like that?
These 'lone wolves,' people like to call them, you've got to look at them not like a lone wolf but an individual operator who's been convinced in their head, brainwashed, whatever, that this is the way to go. And they will carry out their assaults systematically throughout.
You could say that all novels are spy novels and all novelists are spy masters.
All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel. ...Think about it. There's escaping from the wolves, fighting the wolves, capturing the wolves, taming the wolves. Being thrown to the wolves, or throwing others to the wolves so the wolves will eat them instead of you. Running with the wolf pack. Turning into a wolf. Best of all, turning into the head wolf. No other decent stories exist.
In fiction film, there are so many trappings - money, glory, champagne and supermodels - that attract the wolves. But in documentary film, there's none of that, so the wolves stay away. The only people who make docs are people who are curious about other people and just like making documentaries.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
Of John Le Carre's books, I've only read 'The Spy Who Came In From The Cold,' and I haven't read anything by Graham Greene, but I've heard a great deal about how 'Your Republic Is Calling You' reminded English readers of those two writers. I don't really have any particular interest in Cold War spy novels.
There are many people who get beat up, who suffer, who are victimized, and then they sit down to write and they write crap. How many of these graphic novels over the years are from really talented people? Most of them actually, if you look at them, are self-pitying confessionals about "poor me".
The easiest way to separate yourself from the unformed blobby mass of "aspiring" writers is to a) actually write and b) actually finish. That's how easy it is to clamber up the ladder to the second echelon. Write. And finish what you write. That's how you break away from the pack and leave the rest of the sickly herd for the hungry wolves of shame and self-doubt. And for all I know, actual wolves.
I grew up on genre - on Westerns, spy thrillers, sci-fi, fantasy novels, horror novels. Especially horror novels.
Well, wolves will pretty rarely hunt. You're vulnerable if you're on your own or injured. But for lone wolves, get up high, show them that you're not injured, face 'em off, be authoritarian with it, and look 'em in the eye.
I think of 'Liar & Spy' as completely different and actually not at all like a 'When You Reach Me'-type story. I feel like 'Liar & Spy' has a much quieter, more emotional revelation.
After numerous generations of people dedicated to killing wolves on the North American continent, one generation devoted itself to letting wolves live.
I like to make movies about how people actually live, realistically.
Lone wolves won't succeed with IoT. This is a team sport.
See the minutes, how they run, How many make the hour full complete; How many hours bring about the day; How many days will finish up the year; How many years a mortal man may live.
Wolves don't hunt singly, but always in pairs. The lone wolf was a myth.
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