What le Carré is so good at is unpicking something very specific about Englishness. That is almost part of why I think he wrote the novel. You can feel le Carré's anger that someone who has had the benefits of an English education and an English upbringing is using that privilege to basically do the worst things imaginable. There is an anger in the book about that.
What you get in the Cold War is 'the wilderness of mirrors' where you have to figure out what's good and what's evil. That's good for John le Carre, but not me.
For John le Carre, it was always who's betraying who: the hall-of-mirrors kind of thing. When you go back to the '30s, it's a case of good vs. evil, and no kidding. When I have a hero who believes France and Britain are on the right side, a reader is not going to question that.
I love Le Carre's writing.
I am indeed a fan of John le Carre's novels.
John le Carre's 'The Night Manager' is a relentlessly exhilarating thriller with profound emotional depths.
I think John le Carre is, at 77, the greatest living writer alive. He is a master craftsman.
New York is fast paced, with enthusiastic fans and lots of media attention. Houston's slower paced, and there's more of a southern culture to the city. But both cities have unbelievable food.
Toronto is actually way more fast-paced than L.A. - I find the fast-paced nature of Toronto a bit obtrusive. In L.A., I love getting up and going hiking and going to the beach - that's L.A. culture and it's awesome and I miss it. Toronto culture is wonderful, but I miss L.A.
He [John Le Carré] really paid tribute to the people who are willing to risk their own lives to fight injustice - they are greater men and women than I.
Any finish at Le Mans is great but every time I go to Le Mans my mission is to win.
That world of spies and espionage, there's a coldness to it. That's what makes those worlds fascinating - and what makes le Carre's work so interesting.
Learn a lot about the world and finish things, even if it is just a short story. Finish it before you start something else. Finish it before you start rewriting it. That's really important.
It's to find out if you're going to be a writer or not, because that's one of the most important lessons.
Most, maybe 90% of people, will start writing and never finish what they started. If you want to be a writer that's the hardest and most important lesson: Finish it. Then go back to fix it.
I think Le Carre is a great modernist writer, which is to say, in a godless world, he invokes deep, almost religious ideas of betrayal, trust, faith, and that's why we love it.
Tis thus we heed no instincts but our own,
Believe no evil, till the evil's done.
[Fr., Nous n'ecoutons d'instincts que ceux qui sont les notres.
Et ne croyons le mal que quand il est venu.]
If we want to win we've got to start aggressive, start fast and we've got to finish the same way.