A Quote by Alan Garner

I'll buy metaphor, but simile's a cop-out used by scaredycats who won't commit to anything. Simile's for cowards. — © Alan Garner
I'll buy metaphor, but simile's a cop-out used by scaredycats who won't commit to anything. Simile's for cowards.
I went out on a date with Simile. I don't know what I metaphor.
The simile has to match the tone of its surroundings and has to be like a little joke. Writing a simile that isn't funny on some level is quite hard.
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
A metaphor is like a simile.
A simile is just a metaphor with the scaffolding still up.
Ray Bradbury taught me the importance of metaphor and simile and poetic style.
He had gone beyond the world of metaphor and simile into the place of things that are, and it was changing him.
In mainstream literature, a trope is a figure of speech: metaphor, simile, irony, or the like. Words used other than literally. In SF, a trope - at least as I understand the usage - is more: science used other than literally.
A simile, to be perfect, must both illustrate and ennoble the subject; must show it to the understanding in a clearer view, and display it to the fancy with greater dignity; but either of these qualities may be sufficient to recommend it.... That it may be complete, it is required to exhibit, independently of its references, a pleasing image; for a simile is said to be a short episode.
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase a scientific word or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.
The simile sets two ideas side by side; in the metaphor they become superimposed.
One thing that literature would be greatly the better for Would be a more restricted employment by authors of simile and>metaphor.
The poet, however, uses these two crude, primitive, archaic forms of thought (simile and metaphor) in the most uninhibited way, because his job is not to describe nature, but to show you a world completely absorbed and possessed by the human mind.
When you're looking around for metaphor or simile, I do think it's often helpful to keep inside the world of the book, to gather your comparisons from the stuff particular to that world - be they king salmon and aviation fuel, or pot roasts and spatulas.
If you're gonna use simile, analogy, metaphor, be descriptive and have some flowery adjectives and a few odd nouns and some engaging bits of dialogue or sentiment, then you're sort of writing a novel, really. But rock lyrics are not really known for their sophistication.
Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.
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