A Quote by Alan Guth

The idea of combining the physics of modern particle theory with cosmology was very young when I started working on cosmology. — © Alan Guth
The idea of combining the physics of modern particle theory with cosmology was very young when I started working on cosmology.
I read a lot of science books - I love cosmology, quantum theory, particle physics. So my idea of a great read would probably put you directly into a coma.
Indeed, the history of 20th century physics was in large measure about how to avoid the infinities that crop up in particle theory and cosmology. The idea of point particles is convenient but leads to profound, puzzling troubles.
Creativity is essential to particle physics, cosmology, and to mathematics, and to other fields of science, just as it is to its more widely acknowledged beneficiaries - the arts and humanities.
Certainly neo-Platonism, Plotinus and Porphyry and that school are psychedelic philosophers. Their idea of an ascending hierarchy of more and more rarefied states is a sophisticated presentation of the shamanic cosmology, which is the cosmology that one experientially discovers when they involve themselves with psychedelics.
I'm not an historian but I'll venture an opinion: Modern cosmology really began with Darwin and Wallace. Unlike anyone before them, they provided explanations of our existence that completely rejected supernatural agents... Darwin and Wallace set a standard not only for the life sciences but for cosmology as well.
Big bang cosmology is probably as widely believed as has been any theory of the universe in the history of Western civilization. It rests, however, on many untested, and in some cases untestable, assumptions. Indeed, big bang cosmology has become a bandwagon of thought that reflects faith as much as objective truth.
I wouldn't say that The Fabric of the Cosmos is a book on cosmology. Cosmology certainly plays a big part, but the major theme is our ever-evolving understanding of space and time, and what it all means for our sense of reality.
I wouldn't say that 'The Fabric of the Cosmos' is a book on cosmology. Cosmology certainly plays a big part, but the major theme is our ever-evolving understanding of space and time, and what it all means for our sense of reality.
I started out working on supersymmetry. The theory predicts that for every particle we know about, there will be an additional particle.
Art has no cosmology, it gives us no view of the universe; every distinct work of art gives us a little cosmology of its own, and no ingenuity will combine all these into a single whole.
My present work concerns the problems connected with the theory of elementary particles, the theory of gravitation and cosmology and I shall be glad if I can manage to make some contribution to these important branches of science.
One of the great challenges of modern cosmology is to discover what the geometry of the universe really is.
Ironically, members on both sides of the debate do agree about one thing: big bang cosmology puts their position in jeopardy. The big bang poses a problem for young-earth creationists because it makes the universe billions of years old rather than thousands. Such an assertion undercuts their system at its foundation. Big bang cosmology also presents a problem for atheistic scientists because it points directly to the existence of a transcendent Creator - a fact they dare not concede.
I've been working in cosmology since 1964.
I've always been fascinated by physics and cosmology. It gets more and more scary the older you get.
I am a professor of astronomy and physics at Yale University, where I teach an introductory class in cosmology. I see the deficiencies that first-year students show up with.
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