A Quote by Alan Hovhaness
I found a greater identity with my own emotions in the Armenian culture as I grew older, as well as from the beginning, although I didn't know anything about it.
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Although I write in English, and despite the fact that I'm from America, I consider myself an Armenian writer. The words I use are in English, the surroundings I write about are American, but the soul, which makes me write, is Armenian. This means I am an Armenian writer and deeply love the honor of being a part of the family of Armenian wrtiters.
At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs. Hers was based in family history, which I didn't know anything about. I always felt hesitant in talking about Chinese culture and American culture.
We, black British, were searching - as the first generation that was born and raised here - for our own identity. We already knew what the Caribbean thing was about. We grew up with the racial tension and unrest. They were either touching your head for good luck or kicking you down the stairs for being too dark. But that was part and parcel of how we grew up in London. But in terms of our identity, it was more about us claiming it y'know?
I grew up in the age of discount air fare, and for me, the act of joining a culture was a great way about learning about that different culture. So I grew up in the South, and went to college in the North, and found out that I learned about myself as a Southerner by leaving the South and going to the Northeast.
I grew up dancing, I grew up competing in dance, being on television, and I pursued dance for my own self-reflection and fulfillment, and now as I'm getting older, I see that everybody seeks a greater purpose.
Growing up, I didn't know anything about comedy and didn't know anything about comedians or what standup was. I grew up in the projects with no dream of anything, it was in my formatting when i got older and started talking to my friends about how I felt, they would be like, "dude, that's funny." Then one day my friend was like, "Dude, you don't understand how funny you are, you need to do standup"!
I think I started writing about identity, and I used to believe that identity is the story. But now I'm not so much subscribed to that. I mean, with 'Mr. Fox,' it has a feminist agenda as well. And so, as I sort of been away from writing about identity, I still feel that kind of tug of roots and, you know, cultural background.
What "Make America Great" means is it doesn't mean race, and it doesn't mean gender, and it doesn't mean sexual orientation, and it doesn't mean anything identity politics related that seems to appeal to the Democrat Party. It's about a culture. It's about an identity. It's about an idea - the American idea, the American ideal.
The Armenian Genocide is such a controversial and very sensitive issue because the Turkish and Armenian people disagree about the facts of what actually happened. I know how strongly Armenians feel about the Genocide, and how it's never been recognised. At the same time, I do not hold today's generation of people accountable.
Diversity is the magic. It is the first manifestation, the first beginning of the differentiation of a thing and of simple identity. The greater the diversity, the greater the perfection.
Although my dad's a writer, we grew up in a telly-watching household. I never found him disparaging about television.
What colonialism does is cause an identity crisis about one's own culture.
When I grew up in the '60s, we were actually dominated by this, you know, sort of conforming '50s culture, even though we were like trying to express our own culture, like, the dominant culture was the thing that was forming us. And I think that that's true today.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
Naturally, my stories are about women - I'm a woman. I don't know what the term is for men who write mostly about men. I'm not always sure what is meant by 'feminist.' In the beginning, I used to say, 'Well, of course I'm a feminist.' But if it means that I follow a kind of feminist theory, or know anything about it, then I'm not.
I sang the 'Sunday Night Football' theme song two years in a row - my first part in American culture, although I still don't know anything about American football.
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