A Quote by Alan Hovhaness

There were periods when I sometimes made fires in a large, open fireplace that lasted about two weeks, which was how long it took to burn my compositions. So there has been an awful lot that I have destroyed.
I don't approve of open fires. You can't think, or talk or even make love in front of a fireplace. All you can do is stare at it.
You put together two people who have not been put together before; and sometimes the world is changed, sometimes not. They may crash and burn, or burn and crash. But sometimes, something new is made, and then the world is changed. Together, in that first exaltation, that first roaring sense of uplift, they are greater than their two separate selves. Together, they see further, and they see more clearly.
Large profits are even more insidious than large losses in terms of emotional destabilization. I think it's important not to be emotionally attached to large profits. I've certainly made some of my worst investments after long periods of winning.
I suddenly had an idea of how adults can hold on to a feeling for very long periods of time, long after the event is finished, long after cards have been sent and apologies made and everyone else had moved on. Adults were pack rats of old, useless emotions
So Hillary [Clinton], "I do feel in some ways tired." And that's your leading Democrat presidential candidate for 2016. She's been tired for how many weeks now? Hillary has been tired for how many weeks so she can't go on and explain? It's been two and a half months, and she's been two tired to talk about Benghazi.
Plus, I was about to spend six weeks with Christian Ozera. He was sarcastic, difficult, and made jokes about everything. Actually, he was a lot like me. It was going to be a long six weeks.
When I wrapped 'Falling Skies,' I took a trip to the Caribbean to visit my grandma, which is great. I was out there for two weeks in Grenada. Then after that, I went to Poland for two and a half weeks to go watch some of the European soccer championships.
We have a two-week rule. We're never apart for more two weeks. Just not being separated for Jurassic periods of time seems to help. And no children probably helps a lot.
In my beginning is my end. In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf.
I have a 22-year-old son, and when my son was born I made a decision to raise him. My husband and I took turns working, and it's easier to raise a kid in the documentary world, where you go away for two weeks or three weeks rather than the months that you spend on a feature. That was and still is much more open to women DPs than the world of fiction.
Nine Inch Nails is like building an army to go conquer. We build it, then we play, and we have to play so much to validate building it, financially. It leads to getting burn-out because a tour that would be fun if it lasted three weeks has to last 15 weeks.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
She had been given a wonderful gift: life. Sometimes it was cruelly taken away too soon, but it's what you did with it that counted, not how long it lasted.
Revolutions just spread blood. Evolution - this is something that changes in the long term. Because history is long term. But today, we don't talk about history. The past is two weeks ago, and the future is two weeks after.
I liked Westerns for two reasons: First, it took the actor outside. They were all very physical at that time and not limited to a stage. Second, they paid my rent an awful lot.
My first lessons lasted two weeks and it was Jingle Bells. It didn't make any sense at all. I wanted to know how to play like Hendrix.
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