A Quote by Alan Jackson

As long as I'm still able to have a hit on the radio and sell a few albums and some tickets, I don't see that it would be worth retiring. — © Alan Jackson
As long as I'm still able to have a hit on the radio and sell a few albums and some tickets, I don't see that it would be worth retiring.
I think we've got every chance of being an Olympic sport and, if they did put us in, I know they'd sell a lot of tickets and the atmosphere would be fantastic. I would love to see it, I really would. If you want to sell tickets and get thousands of people there, then do it.
That's why, to this day, K.I.S.S. can sell out wherever they go... because they sell tickets, and they have that core fan base. You may not hear K.I.S.S. on the radio with a new single today. And they can still sell out anywhere.
I've heard that Oasis or Coldplay will sell tickets, but they can't sell records. They sold out Madison Square Garden in three hours. And they can't sell albums. I don't know what's going on.
Fifty-one million likes doesn't mean we're going to sell 51m albums or concert tickets.
Touring definitely helps sell albums. Things have changed. I've noticed now more than ever when you market an album, get radio play/video play etc. it helps sell albums but it helps get more shows.
Lil Jon was definitely a pioneer for some of the punk-rap acts we see now. He showed you could scream on a song and still have a hit on the radio.
Raoul' sold a respectable 700,000 copies without a hit single. It didn't take off. If you don't sell 8 million albums or 4 million albums again, everybody deems it a big failure.
A letdown is worth a few songs. A heartbreak is worth a few albums.
I'm not supporting nor not supporting TV casting shows - there is no doubt they are created for financial reasons - but I don't have a problem with wanting to sell tickets, and if you want to do an arena version of a rock musical, you have to sell a lot of tickets to justify the cast.
The killer whale Tilikum has helped SeaWorld sell millions of dollars worth of tickets.
We all make choices. Believe me, I would like to write the hit of the world. It's not like I have any desire to be in the shadows. My vision isn't marketing. Some people want to sell 6 million albums. There's nothing wrong with that. It's just not what I do. I'd rather look at a piece of work and say it's great rather than it's successful.
They say asteroids hit the moon pretty often, which is how the moon gets its crater, but this one is going to be the biggest asteroid ever to hit it and on a clear night you should be able to see the impact when it happens, maybe even with the naked eye but certainly with binoculars. They made it sound pretty dramatic, but I still don't think it's worth three homework assignments.
It's not the fact that your single can sell. It's the fact that you can sell hard tickets. People will spend money to see you.
Interviewing somebody is a lot different than being handed a stick in a 20,000-seat arena and trying to sell tickets. You're very green when you start. I'm still learning things to this day. I'm decent at interviews now, but man, getting people to buy tickets is the easiest thing in the world for me.
I see sometimes how guys may make a buffoon of themselves to sell a few more tickets. They create this image, and when it's all said and done, it's like everything falls out from under them. They have no stability. I never wanted to be one of those guys.
When I faced the likes of Shoaib Akhtar and Brett Lee for the first time, I had a little bit of fear in my mind. My thoughts were, 'Would I be able to face them? Would I be able to play them? Would I be able to hit boundaries?' There were so many questions and fear, also, that if the ball didn't hit my bat, it might hit me on the body.
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