A Quote by Alan Jackson

I've had several working-man songs that I like. — © Alan Jackson
I've had several working-man songs that I like.
I had been, like, 'I don't wanna be a singer anymore', so dramatic, but when I was recording with Brian Higgins I was like, oh my god I love this, I love these songs, I love what this is. And then we just kept on working and working until we got more songs.
I kind of like polishing the songs that I'm working on. I'm really working hard on some specific songs.
As a kid, I always had a super vivid imagination, like "Man, I like those shoes, but they should've made them in purple" or like, "Man, I wonder how people make songs."
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
He has given me several blockbuster albums in all these years, and DSP is the man behind many of the best songs in my career.
Some Lynyrd Skynyrd songs are literally the backdrop of America. Songs like 'Simple Man' and 'Free Bird' and 'Alabama.' I wasn't prepared for how emotional the crowd gets during the songs.
There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
I had never really written songs for anyone before. With [Broken] Social Scene, you're writing songs for others and your passing them around and exchanging things, but for a man who has the history that Andy Kim had, and has lived the life that he's had, you see such a youthful aspect of how he just wanted to create something again.
I did a couple songs with this hip-hop guy named Tim Dark. He was working in the same studio I've been working in, he heard my music and he said, aw man, I've got to do something with you.
...When a man first awakens, it sometimes takes several moments before he starts thinking clearly." "And here I thought it took several years, perhaps a lifetime for the average man's intellect to kick in.
It's hard to convince people when you haven't done anything that the things you're working on are worthy of spending their time and money on: like, "Oh man, I write really great songs, I promise!"
My father had several strokes and heart attacks. I was with him when he died, and it was a horrible death. He had been a very articulate man, and to lose that, never to be able to speak properly and to be unable to move - he had always been a very vigorous man, so to be in a wheelchair and mumbling - was terrible.
I was interested in virtual reality for several years even before working at USC, it wasn't an interest that started there at all. In fact, when I started working at USC, I already had prototypes of the Rift that were very similar to the final design.
I have sung songs for several actors in movies, including Salman Khan and Shah Rukh Khan. Unfortunately, even after singing songs for their movies like 'Bajrangi Bhaijaan' and 'Raees,' the two actors have not lip-synced them on screen.
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