A Quote by Alan Kay
Most creativity is a transition from one context into another where things are more surprising. There’s an element of surprise, and especially in science, there is often laughter that goes along with the "Aha." Art also has this element. Our job is to remind us that there are more contexts than the one that we’re in - the one that we think is reality.
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I think its one of the great principles. The element of surprise, I mean, you could take a force that's not nearly as strong and with the element of surprise you could wipe out a much more powerful force.
Because we all know one of the main factors of war is the element of surprise. And what could be more surprising than the First Batallion Transvestite Brigade? Airborne Wing.
Making two possibilities a reality. Predicting the future of things we all know. Fighting off the diseased programming Of centuries, centuries, centuries, centuries. Science fails to recognise the single most Potent element of human existence. Letting the reigns go to the unfoldings faith, Science has failed our world. Science has failed our mother earth.
Behind all art is an element of desire...Love of life, of existence, love of another human being, love of human beings is in some way behind all art — even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
I'm quite shy and I absolutely love my job - if you'd call it a job - and I like everything that goes along with it, but I think away from that I'm probably no more interesting or special than anyone else, and so I really like just doing normal stuff, as I'm sure most people in our team do.
There's a stronger and more kind of controversial element of Plotinus' view of matter, which is that he actually identifies it with evil, or at least the principle of evil, and the reason for this is that he thinks that the the One, the highest principle, can also be thought of as the Good, and that's kind of surprising like, because he has this negative theology which doesn't allow us to say anything about the One. But he believes that it can be seen as the principle of goodness as well as unity, and that if you think about it, goodness and unity sort of go along with each other.
This element of surprise or mystery the detective element as it is sometimes rather emptily called is of great importance in a plot.
I think music naturally wants to be played with more than one person. There's a surprise element, and you don't know what it will be, and it's up to that other person's energy to help create this third thing.
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
If there is any one duty which more than another we owe it to our children and our children's children to perform at once, it is to save the forests of this country, for they constitute the first and most important element in the conservation of the natural resources of this country.
It's weirder and more surprising than the other books. I think there are more places where it's just more reality bending, deliberately so. I think it's a lot more emotionally raw.
Prayer adds an element of surprise to your life that is more fun than a surprise party or surprise gift or surprise romance. In fact, prayer turns life into a party, into a gift, into a romance.
If you focus on literature through only one small element of it, like the more scientific element of linguistics, then where is the joy that brought us literature in the first place, which is to have a story?
All athletes speak about the mental element of athletics, and it usually boils down to the same thing: if you can remove your ego from the game, you can function with much more clarity and you are more likely to succeed. Wouldn't it be interesting if we all began speaking about the mental element of our lives in this way?
We fret about words, we writers. Words mean. Words point. They are arrows. Arrows stuck in the rough hide of reality. And the more portentous, more general the word, the more they can also resemble rooms or tunnels. They can expand, or cave in. They can come to be filled with a bad smell. They will often remind us of other rooms, where we'd rather dwell or where we think we are already living. They can be spaces we lose the art or the wisdom of inhabiting. And eventually those volumes of mental intention we no longer know how to inhabit will be abandoned, boarded up, closed down.
The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream.
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