A Quote by Alan King

Museums are good things, places to look and absorb and learn. — © Alan King
Museums are good things, places to look and absorb and learn.
I suspect anyway that the important things we learn we never remember because they become a part of us, we absorb them...we don't absorb multiplication tables.
I absorb energy, I absorb the good, the bad, I absorb everything. That's what makes me who I am.
A dancer should learn from all the arts. Go to museums and look at the paintings. See how they balance things. Everything you do in the arts enriches you.
Museums provide places of relaxation and inspiration. And most importantly, they are a place of authenticity. We live in a world of reproductions - the objects in museums are real. It's a way to get away from the overload of digital technology.
People are going to have a good time, you know. One can go have a good time at these big openings in museums. And people go to have a good time. But the thing has another purpose.In the case of museums, it's always got to do with money, people who donate and things like that. And I believe a certain kind of interest has to be demonstrated.
Outside museums, in noisy public squares, people look at people. Inside museums, we leave that realm and enter what might be called the group-mind, getting quiet to look at art.
I've been naturally quick at learning things, and I learn by doing things, so if I sit beside someone who is actively doing something, I look at how they do it and absorb the way in which they do something and find my own comfortable way of reimagining that, or using certain techniques in my own way.
I can do a reddish-brown or brown lip, but not a bright red. I just don't look good in it. Over the years you learn certain things that don't look good on you, and that's one of them for me.
People expect things from art that are horrible for us who make it! They put the things we make in these restrictive places called 'museums,' then don't want to hear another word from us.
I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums.
I photograph in public and semi-public spaces that date from various epochs. These are spaces accessible to everyone. They are places where you can meet and communicate, where you can share or receive knowledge, where you can relax and recover. They are spas, hotels, waiting rooms, museums, libraries, universities, banks, churches and, as of a few years ago, zoos. All of the places have a purpose, as for the most part do the things within them.
The model is just one element of the photograph. There's also the location, the light - all that junk. It helps if the girl is really good-looking, but a girl can be not super good-looking and it'd still be a really good photograph. I ask people to send some photos of where they live if that's where I'm shooting. I go for shabby places over too-nice places, because most of these girls are going to look better if they're not made to look rich.
I don't know how I absorb things, but I do. I just absorb them. I don't over read the script, and I don't really ever spend much time learning it.
When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.
Working on new projects gives you the opportunity to learn and absorb new things.
Learn Everything that is Good from Others, but bring it in, and in your own way absorb it; do not become others.
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