A Quote by Alan Light

You don't need a major label and they sure don't need you. — © Alan Light
You don't need a major label and they sure don't need you.
I've put projects out on my own label twice now and been very successful which shows you don't need a major label to back you in this day and age.
You don't need to be at a major, not at all. Technology being the way it is, and record sales being the way it is, there are not too many things that you need to depend on a label for that you can't go out and do yourself.
I think that there will always be artists out there who think they need to sign a major label deal in order to be successful. And that machine is what is going to work for them - there's tons of examples of pop stars who need that machine.
It's really tough - if you're on a major label and they want you to have a number one song, you need to do what they say.
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
I want to be role model for people to be like, 'I don't need a major label to be a successful artist and to have a successful song.'
We're so humbled and lucky to be in a position where we've been a four-piece for over 15 years. We're signed to a major label. We're on our fourth record on a major label. We've won a Grammy. We've toured the world.
I'm not sure why there's this anger in the youth, but we need to talk about it. Kids need to get help if they need help, and bullies need to be helped as well.
I think up until the 'Honestly' album it was very much label-company lead, of 'this is a sound that we need, this is what you need to do. You need to do ballads, you need to do a million different types of love songs,' and I hate ballads and I hate love songs.
My problem was never with the major label, it was with the guy who we put our trust in and then wouldn't take my phone calls once we'd signed to a major label, who then quit.
I've been on a major label for 14 years. I've always wanted as many people as possible to hear my music, and it definitely made sense for the majority of my career to be on a major label, on a distribution level, to be in people's faces and be out there, and have access to major labels' incredible machine, even though they have not understood or haven't been invested in what I was doing.
They stick you with those names, those labels -- ‘rebel’ or whatever; whatever they like to use. Because they need a label; they need a name. They need something to put the price tag on the back of.
There is a lack of talent in technology, and we need to be encouraging kids in school to learn how to code. We need to encourage computer science as a major. We need to encourage entrepreneurism.
We need to walk, just as birds need to fly. We need to be around other people. We need beauty. We need contact with nature. And most of all, we need not to be excluded. We need to feel some sort of equality.
We have a need to be religious, we need to worship, we need to build totems and shrines and icons, but nobody's sure in honor of what.
I had recorded a song 'If You Need Me' for the Correc-Tone label, but it was a small label and distribution was a problem.
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