A Quote by Alan Lightman
Novels aren't pedagogical instruments, or instructions in law or physics or any other discipline. A novel has to be an emotional experience, a trip of the imagination, and because science has raised so many issues that concern and affect humans, it's a good starting place for me.
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Our annual school physics trip was always to Blackpool Pleasure Beach, as it's such a good example of Newtonian physics. You can learn about centrifugal force and Newton's first law from the roller coasters, and the Viking long boat is a giant pendulum. It's good for children to understand that science underpins all these brilliant things.
The difference does not lie in the things that news does that novels do not do, but in the things that novels do that news cannot do. In other words, this basic technique of news - just one among many - is something a novel can use, but a novel can deploy a multitude of other techniques also. Novels are not bound by the rules of reportage. Far from it. They're predicated on delivering experience.
Imagination is as vital to any advance in science as learning and precision are essential for starting points. Let me warn you to beware of two opposite errors: of letting your imagination soar unballasted by facts, but on the other hand, of shackling it so solidly that it loses all incentive to rise.
Weight issues, race issues will always be there and if you allow them to get to you and you allow them to affect you then yes they affect you. But my thing is I have so many other things to worry about I can't worry about other people's perception of me.
More than fifty years ago Sputnik dramatically raised the nation's awareness of what was lacking in science and math education in America. What we need to wake people up to now is the crisis in imagination and concern for the greater good.
In a way, I think that the movie Fight Club [1999] did a weird, negative thing to boxing, culturally. I mean, it is sort of similar to what has happened to the novel. For however many good novels are written, the novel itself has completely lost its place.
A novel, for me, relies on my imagination to inspire your (the reader's) imagination. It is not all there for you. My novels or my stories come to me visually. I use words to translate the novel I see inside my head into words that I hope will create a movie inside your head.
Novels are political not because writers carry party cards -- some do, I do not -- but because good fiction is about identifying with and understanding people who are not necessarily like us. By nature all good novels are political because identifying with the other is political. At the heart of the 'art of the novel' lies the human capacity to see the world through others' eyes. Compassion is the greatest strength of the novelist.
There are only so many instruments you can layer on top of each other that aren't perfectly electronically programmed. "Long Vermont Roads" just cannot be performed live, because it's just too cluttered if it's played by humans. Synthesizers stay out of each other's way in a way that hand-played instruments never can.
There are so many issues that this country [the U.S.] has, and that the world faces, that it's important that we sit down and recognize our commonality. When we do that, we can actually work together to overcome some of the problems that we have. That, to me, is just a good starting place.
I can't think of any one film that improved on a good novel, but I can think of many good films that came from very bad novels.
I don't have any answers as to whether the Internet is a good or a bad thing, but it's certainly an important thing for the novel because novels are so much about communication, and when communication changes, the novel has to change.
People without hope not only don’t write novels, but what is more to the point, they don’t read them. They don’t take long looks at anything, because they lack the courage. The way to despair is to refuse to have any kind of experience, and the novel, of course, is a way to have experience.
The history is important because science is a discipline deeply immersed in history. In other words, every time you perform an experiment in science or in medicine, what you're actually doing is you're answering someone, answering a question raised by someone in the past.
There is now a feeling that the pieces of physics are falling into place, not because of any single revolutionary idea or because of the efforts of any one physicist, but because of a flowering of many seeds of theory, most of them planted long ago.
Novels–and memoirs–are perhaps the most comprehensive reports humans can deliver, of their private experiences, to other humans. In these terms there is only one kind of novel: a human attempt to transfer or convey some part or version of their world of noumenon to another’s world of noumenon.
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